How to Kill Your Darlings
Consider your cuts as a culling of the herd, and know that even writing which is omitted will leave its imprint on the book.
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Consider your cuts as a culling of the herd, and know that even writing which is omitted will leave its imprint on the book.
Based in Georgetown, Kentucky, Finishing Line Press publishes around three hundred titles each year and runs a chapbook competition celebrating writers who are marginalized from mainstream publishing.
If, as part of your graduate experience, you’re interested in contributing your time or writing to a school-sponsored journal, check out this listing of institutions whose MFA programs produce literary magazines.
A writer discusses the impact of perceived literary success on her marriage to another writer, drawing attention to the domestic and quotidian labor behind the privilege of being able to pursue one’s creative dreams.
The range of potential agents can feel overwhelming to someone just starting out; a senior agent at the Transatlantic Agency shares her tips for connecting with someone who will stand by your work with commitment and thoughtfulness.
In the wake of the California wildfires, literary community members grieve the loss of public spaces and personal archives, and reflect on the creative relief efforts that offer hope.
Writing a book is a daunting challenge—but the texts we know and love can help. A nonfiction writer describes how a methodically organized spreadsheet of favorite quotes aided her journey from proposal to finished memoir.
For decades, the International Writing Program in Iowa City facilitated transformative connections for its resident writers—but the loss of funding worth nearly a million dollars challenges staff and students to find ways to keep going.
Artificial intelligence has irrevocably changed the paradigm of publishing. A journalist and editor speaks to agents about their thoughts on AI in a professional context, raising questions about contracts, rights, and the nature of art.