Toward the Sensuous Form: Embracing New Forms of Knowing in the Essay
The author of Voice of the Fish: A Lyric Essay (Graywolf Press, 2022) considers what it would mean for the essay to embrace new kinds of meaning-making.
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The author of Voice of the Fish: A Lyric Essay (Graywolf Press, 2022) considers what it would mean for the essay to embrace new kinds of meaning-making.
Ten authors answer the tenth question in our Ten Questions series: What’s the best piece of writing advice you’ve ever received?
The author of Voice of the Fish: A Lyric Essay (Graywolf Press, 2022) reflects on the ancient origins of the essay form.
This week’s installment of Ten Questions features Djaimilia Pereira de Almeida and Alison Entrekin, the author and the translator of Three Stories of Forgetting.
“You have to learn to write when you don’t feel like it.” —Raquel Gutiérrez, author of Southwest Reconstruction
The author of Ocean of Clouds (Knopf, 2025) considers the lineage of his own loping lines and encourages poets to try them.
“Art is following your soul’s demand.” —Juhea Kim, author of A Love Story From the End of the World
The author of Ocean of Clouds (Knopf, 2025) considers the benefits of planning elements of a poem before its composition.
“It can take days, months, years for me to know when notes pass into the arena of poem or story.” —Devon Walker Figueroa, author of Lazarus Species
The author of Ocean of Clouds (Knopf, 2025) reflects on the practice of poetry as one of both composition and listening.