Foreign Objects 1: What’s This Doing Here?
Writer and translator Elizabeth T. Gray explores the history and function of foreign objects in poetry.
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Format: Online Only
Ten Questions for Nicola Dinan
“But so much of the work is done in those gaps, when the book sits in the back of your mind with your subconscious untangling it.” —Nicola Dinan, author of Disappoint Me
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Ten Questions for July Westhale
“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
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Conveying Music and Dance in Fiction: Final Touches to Your Manuscript
The author of Duet for One (Regal House Publishing, May 2025) recommends rigorous revision strategies as writers polish their manuscripts.
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Theater of Memories: A Conversation With Ocean Vuong
With The Emperor of Gladness, forthcoming in May from Penguin Press, Ocean Vuong crafts a story of intergenerational connection—of labor, love, memory, and care—while bridging the intimate and the epic, the lyric and the narrative.
Ten Questions for Rickey Fayne
“Everything will take longer than you feel like it should, and this is a gift.” —Rickey Fayne, author of The Devil Three Times
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Conveying Music and Dance in Fiction: Getting It on the Page
The author of Duet for One (Regal House Publishing, May 2025) recommends writers research vocabularies specific to their characters’ lives to ensure the novel’s world feels believable.
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Ten Questions for Lisa Fishman
“The magnitude of space around me must have opened a kind of interior spaciousness where the writing came from.” —Lisa Fishman, author of One Big Time
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Conveying Music and Dance in Fiction: Forgetting the Outline
The author of Duet for One (Regal House Publishing, May 2025) recommends writers discover their structure as they write.
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Poetry Is Always in Season: A Conversation With the Anonymous Curator Behind @poetryisnotaluxury
The person behind the viral Instagram account @poetryisnotaluxury talks about their approach to selecting poetry for a digital platform versus a print anthology, the value of anonymity, and more.
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