Not All Stories Are Straight: Circular and Nested Structures From Asian Storytelling
The author of Spring, Summer, Asteroid, Bird (Norton, 2025) recommends writers embrace circuitous storytelling structures, typical of nonwestern literature.
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Ten Questions for Mariam Rahmani
“The magic happens in the writing, on the page. That’s the high.” —Mariam Rahmani, author of Liquid: A Love Story
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The Joy of Holding Back: The East Asian Four-Act Structure
The author of Spring, Summer, Asteroid, Bird (Norton, 2025) encourages writers to introduce a surprising element more than halfway into their storytelling structure.
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Ten Questions for Lesley Wheeler
“This isn’t writer-stuff, it’s life-stuff that bears on the poems.” —Lesley Wheeler, author of Mycocosmic
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Ten Questions for Austin Araujo
“I had many beginnings and several endings, and I tried to arrange the poems in a way that might ask why that was.” —Austin Araujo, author of At the Park on the Edge of the Country
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The Choice to Create
An excerpt from Permission: The New Memoirist and the Courage to Create by Elissa Altman, a compassionate, inspiring literary guide to transcend the fear and shame that can too often keep important stories from being written.
Ten Questions for Rebe Huntman
“Because the flip side of uncertainty is an invitation into mystery. And the reward for wading through mystery is transformation.” —Rebe Huntman, author of My Mother in Havana: A Memoir of Magic & Miracle.
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What Listening Has Taught Me: The Future Is Shaped by What We Remember
Oral historian Nyssa Chow considers the nested memories she belongs to, and invites readers to do the same.
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Ten Questions for Margie Sarsfield
“Nothing makes a clunky sentence more obvious than saying it out loud.” —Margie Sarsfield, author of Beta Vulgaris
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What Listening Has Taught Me: The Smallest Part of Your World
Oral historian Nyssa Chow considers how small routines and rituals tell larger stories.
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