Ten Questions for Shoshana von Blanckensee
“If you put the hours in, the work will work itself out.” —Shoshana von Blanckensee, author of Girls Girls Girls
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Listen and Learn: First Tracks and First Impressions
The author of Scream / Queen (Acre Books, 2025) encourages writers to consider how music albums are introduced as they craft the beginning of poetry collections.
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Ten Questions for Robert P. Baird
“[Y]ou should write, or at the very least revise, with a reader always in mind.” —Robert P. Baird, author of The Nimbus
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Foreign Objects 2: Seams and Borders
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
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Ten Questions for Lucas Schaefer
“A book takes a long time to write, and a long time to publish. So, you know, take a breath!” —Lucas Schaefer, author of The Slip
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Foreign Objects 1: What’s This Doing Here?
Writer and translator Elizabeth T. Gray explores the history and function of foreign objects in poetry.
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Ten Questions for Nicola Dinan
“But so much of the work is done in those gaps, when the book sits in the back of your mind with your subconscious untangling it.” —Nicola Dinan, author of Disappoint Me
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Ten Questions for July Westhale
“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
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Conveying Music and Dance in Fiction: Final Touches to Your Manuscript
The author of Duet for One (Regal House Publishing, May 2025) recommends rigorous revision strategies as writers polish their manuscripts.
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Theater of Memories: A Conversation With Ocean Vuong
With The Emperor of Gladness, forthcoming in May from Penguin Press, Ocean Vuong crafts a story of intergenerational connection—of labor, love, memory, and care—while bridging the intimate and the epic, the lyric and the narrative.
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