Ten Questions for Rhoni Blankenhorn

“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
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“Notes/fragments help me relive moments that carry seeds, sparks, moments of import, humor, and beauty.” —Rhoni Blankenhorn, author of Rooms for the Dead and the Not Yet
The author of Scream / Queen (Acre Books, 2025) recommends poets expand their research beyond their typical interests.
“The research I did for this novel was so intriguing, looking at the psychology and science of siblinghood, memory, identity.” —Fran Littlewood, author of The Accidental Favorite
The author of Scream / Queen (Acre Books, 2025) encourages poets to consider world-building in their collections like compiling a concept album.
“If you put the hours in, the work will work itself out.” —Shoshana von Blanckensee, author of Girls Girls Girls
The author of Scream / Queen (Acre Books, 2025) encourages writers to consider how music albums are introduced as they craft the beginning of poetry collections.
“[Y]ou should write, or at the very least revise, with a reader always in mind.” —Robert P. Baird, author of The Nimbus
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
“A book takes a long time to write, and a long time to publish. So, you know, take a breath!” —Lucas Schaefer, author of The Slip
Writer and translator Elizabeth T. Gray explores the history and function of foreign objects in poetry.