Article Archive

Having settled into her new role at Nan Talese’s imprint following her ouster from Houghton Mifflin, editor Janet Silver discusses what she looks for in a new writer and what every author should know about agents.

Today, it seems that we have access to an unlimited amount of information all the time, and for those of us who want to be alone with our thoughts, that information is getting harder and harder to avoid. More and more of us suffer from a condition sometimes called "digital information overload," or "infomania."

Ordering poems becomes a familiar act if you consider the lyric poem in its original form—the song. And if you were the kind of incessant list-maker Nick Hornby describes in his novel High Fidelity, the kind who also made mix tapes from your album collection. If you were the kind of geek my college boyfriend, Tim, was and—admittedly—the kind I was too.

Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from The Film Club by David Gilmour and The Story of a Marriage by Andrew Sean Greer.

Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Ninth Letter, Oxford American, and the Literary Review.

Speculation and rumor continue to drive the gossip surrounding Tom Wolfe’s and Richard Ford’s decisions to leave their former publishing houses, but their true reasons remain a mystery.

The origin and form of Mayhill Fowler’s Huffington Post report on Barack Obama’s use of the word “bitter” suggest her work is neither blogging nor journalism, but creative nonfiction. That its effect was out of proportion with its intention begs the question: What can the creative nonfiction writer expect in the Information Age?

No two writers write alike, but when two hundred gather for an event—as they did at this year’s Sunday Times Oxford Literary Festival, held at Christ Church College in Oxford from March 31 through April 6—some common themes tend to emerge.

Ander Monson’s fourth book, the poetry collection Our Aperture, was published in January by New Michigan Press. It’s a short thirty pages, but it further extends the reach of the author’s genre-bending work. Poets & Writers Magazine recently asked Monson about his predilection for playing with genre.