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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features Los Angeles–based Phoneme Media, which publishes poetry in translation, with a focus on books from lesser-known countries and those written in uncommon languages like Isthmus Zapotec and Uyghur.
The Louisville Story Program, a nonprofit dedicated to publishing unheard voices in Louisville, Kentucky, focuses on book projects in which community members tell their stories. Their latest project, We Can Hear You Just Fine: Clarifications From the Kentucky School for the Blind, features essays from seven visually impaired teenagers.
John Freeman, founder and editor of the new biannual Freeman’s, discusses his goals for the journal, including durability, an international focus, expansive themes, and superlative storytelling.
At community writing centers across the country, new workshop models offer sustained support for writers undertaking book-length projects, including novels and memoirs, satisfying a demand left unmet by MFA programs and shorter-term writing courses.
Literary MagNet highlights an author alongside the journals that have published that author’s work. This issue’s MagNet features poet Paisley Rekdal, who takes us through five journals that first published poems appearing in her forthcoming collection, Imaginary Vessels.
The New York Shakespeare Exchange is working with filmmakers and directors to produce collaborative video adaptations of Shakespeare’s sonnets, bringing the Bard’s timeless poems to a new audience.
Now in its fifth year, the Pilgrim features original writing from members of Boston’s homeless community, who come together on a weekly basis to share their stories, hone their craft, and support each other’s personal and literary growth.
Writer and editor Daniel Menaker compiles over one hundred amusing verbal blunders in his new book, The African Svelte: Ingenious Misspellings That Make Surprising Sense (Houghton Mifflin Harcourt, 2016), illustrated by New Yorker cartoonist Roz Chast.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One highlights the first lines of a dozen recently released books, including Zadie Smith’s Swing Time and Fanny Howe’s The Needle’s Eye, offering a glimpse into the worlds of these new and noteworthy titles.
At the University of Pittsburgh, poets Dawn Lundy Martin, Terrance Hayes, and Yona Harvey recently established the Center for African American Poetry and Poetics—a creative think tank dedicated to African American poets.
Tracy Sherrod, current editorial director of Amistad Press, discusses how the publisher of multicultural voices has changed over its thirty-year history, as well as the challenges it faces today.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Jonathan Safran Foer’s Here I Am and Monica Youn’s Blackacre, as the starting point for a closer look at these new and noteworthy titles.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Salt Lake City–based Torrey House Press. Established in 2010 by Kristen Johanna Allen and Mark Bailey, the nonprofit press releases six to eight fiction titles each year that focus on the American West, specifically as it relates to human relationships and the natural world.
Now in its second year, the BinderCon professional development conference, held biannually in New York and Los Angeles, works to champion and connect women and gender nonconforming writers.
Literary MagNet highlights an author alongside the journals that have published that author’s work. This issue’s MagNet features fiction writer Matt Bell, who takes us through five journals that first published pieces appearing in his latest collection, A Tree or a Person or a Wall.
Celebrating its fortieth anniversary this year, the Just Buffalo Literary Center offers workshops, youth programs, events, an international authors series, and an unmatched literary community in western New York.
The founders of revivalist press Emily Books talk about their recent partnership with Coffee House Press, staying true to their ethics, and sustaining the future of “weird books by women.”
In his latest publishing venture, blockbuster novelist James Patterson has launched his “lightening-paced” novel series, BookShots, part of his ongoing efforts to support literacy and reach new readers.
Over the past decade, Scottish artist Robert Montgomery has created text and light installations across the world consisting of short poems made from neon, wood, and fire.
Celebrating its fortieth anniversary this year, the Washington, D.C–based Writer’s Center remains committed to its original mission: the “creation, publication, presentation, and dissemination of literary work” both in the D.C. area and nationwide.
The newly revamped Literary MagNet highlights an author alongside the journals that have published that author’s work. This issue’s MagNet features poet Alice Notley, who takes us through five journals that first published pieces appearing in her new collection, Certain Magical Acts (Penguin, June).
With the goal of facilitating “global conversation through the intimate and inclusive voice of poetry,” the Kent, Ohio–based Wick Poetry Center is expanding its programming and bringing poetry to a wider audience.
With so many good books being published every month, some literary titles worth exploring can get lost in the stacks. Page One offers the first lines of a dozen recently released books, including Tig Notaro’s memoir, I’m Just a Person, and Mangalesh Dabral’s sixth poetry collection, This Number Does Not Exist, translated from the Hindi by Arvind Krishna Mehrotra.
Small Press Points highlights the innovation and can-do spirit of independent presses. This issue features the Mobile, Alabama–based Negative Capability Press, a nonprofit publisher seeking to publish new work that embodies the Keatsian formulation that “a man is capable of being in uncertainties, mysteries, doubts, without any irritable reaching after fact and reason….”
