Ten Questions for Jeannie Vanasco
“When an impediment arrives, I try writing about it. This helps me remain patient.” —Jeannie Vanasco, author of A Silent Treatment
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How to Write When You’d Rather Be Online
Your internet obsessions can become your writing’s obsessions; allow those passions to animate your book.
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How to Brew Good Coffee
Monthly deliveries of a perfect roast, strongly brewed, may be nearly as important as the companion who introduces them to you.
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The Value of Our Work: What Writers Can Learn From the Harvard Business School
An author who worked for years as a scribe at the Harvard Business School shares the lessons she learned that can be applied to writing, most notably: Believe that what you do is valuable.
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How to Protect Your Time
Carrying a stroller down the subway steps is a good use of your time; doomscrolling and social media are not. Fight for time for the things you love and put your writing at the top of that list.
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How to Kill Your Darlings
Consider your cuts as a culling of the herd, and know that even writing which is omitted will leave its imprint on the book.
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How to Keep Hold of 120,000 Words—or, How to Work With a Manuscript in Word
Clever use of the software’s Headings tools can make even the most beastly manuscript easier to wrangle.
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How to Keep Writing When You’re Convinced Your Book Is a Disaster
When feeling beaten by your manuscript, come back to the page with humility and curiosity, and remember the ways that this work feeds you.
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Ten Questions for Ed Park
“I just remember the miraculous appearance of story seeds, bursts of inspiration, and cloudless composition.” —Ed Park, author of An Oral History of Atlantis
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Foreign Objects 2: Seams and Borders
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
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