How to Kill Your Darlings
Consider your cuts as a culling of the herd, and know that even writing which is omitted will leave its imprint on the book.
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How to Keep Hold of 120,000 Words—or, How to Work With a Manuscript in Word
Clever use of the software’s Headings tools can make even the most beastly manuscript easier to wrangle.
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How to Keep Writing When You’re Convinced Your Book Is a Disaster
When feeling beaten by your manuscript, come back to the page with humility and curiosity, and remember the ways that this work feeds you.
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How to Write When You’d Rather Be Online
Your internet obsessions can become your writing’s obsessions; allow those passions to animate your book.
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Ten Questions for Ed Park
“I just remember the miraculous appearance of story seeds, bursts of inspiration, and cloudless composition.” —Ed Park, author of An Oral History of Atlantis
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Foreign Objects 2: Seams and Borders
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
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Ten Questions for Lucas Schaefer
“A book takes a long time to write, and a long time to publish. So, you know, take a breath!” —Lucas Schaefer, author of The Slip
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Foreign Objects 1: What’s This Doing Here?
Writer and translator Elizabeth T. Gray explores the history and function of foreign objects in poetry.
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Ten Questions for Nicola Dinan
“But so much of the work is done in those gaps, when the book sits in the back of your mind with your subconscious untangling it.” —Nicola Dinan, author of Disappoint Me
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Ten Questions for July Westhale
“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
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