Ten Questions for Zeina Hashem Beck
“I think it was essential that I turn further inward, that I trust the ‘quieter’ poems.” —Zeina Hashem Beck, author of O
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“I think it was essential that I turn further inward, that I trust the ‘quieter’ poems.” —Zeina Hashem Beck, author of O

The author of [WHITE] explores the benefits of writing to a specific audience and the risks of trying to meet the market’s imagined demands.
The author of [WHITE] considers how writers might take inspiration from visual artists in their approach to revision, pushing beyond surface editing to “see” their work afresh.
The author of [WHITE] explores how writing outside one’s primary genre can lead to literary breakthroughs.
The author of [WHITE] shares how experimenting with found texts can energize the poetic process and expand a poet’s lyric repertoire.
The author of Country of Origin looks back on the fifteen years she spent working on her debut novel.
The author of Eleutheria explores how setting can tell a story.
The author of Eleutheria looks beyond the construct of man vs. nature.
“Then summer came and there was a lightning moment.” —Yanyi, author of Dream of the Divided Field
The author of Eleutheria considers the literary value of the human instinct to look for faces everywhere.