Ten Questions for Shoshana von Blanckensee
“If you put the hours in, the work will work itself out.” —Shoshana von Blanckensee, author of Girls Girls Girls
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“If you put the hours in, the work will work itself out.” —Shoshana von Blanckensee, author of Girls Girls Girls
In this Center for Fiction event, author and critic Andrea Long Chu reads from her essay collection Authority (Farrar, Straus and Giroux, 2025) and talks about the inherent contradictions in the way people discuss and disagree about art, and traces the political and intellectual history of literary criticism in a conversation with Arielle Angel.
The author of Scream / Queen (Acre Books, 2025) encourages writers to consider how music albums are introduced as they craft the beginning of poetry collections.
In this virtual event for the Brooklyn Rail’s New Social Environment series, Lidia Yuknavitch reads from her memoir Reading the Waves (Riverhead Books, 2025) and speaks to Porochista Khakpour about the process of rearranging fragments of writing.
CD Eskilson celebrates the release of their debut poetry collection, Scream / Queen (Acre Books, 2025), in this reading and conversation with poets Ashia Ajani and Preeti Vangani at Green Apple Books in San Francisco.
In the comedic documentary series The Rehearsal, Nathan Fielder helps ordinary people rehearse difficult conversations they may be dreading by creating precisely replicated environments and hiring actors to prepare for each scenario. The elaborate sets include a fully functioning bar with patrons, a household with a child actor, and an exact reproduction of a Houston airport terminal. Compose a personal essay about a necessary conversation that has been weighing on you and write out several vignettes exploring potential ways the exchange might play out given your knowledge of your own mindset as well as the person you’re confronting. Consider incorporating thoughts about how some reactions or behaviors may be impossible to predict. How might this rehearsal of sorts help calm your nerves or provide an understanding of your own social tendencies?
At this Japanese Literature Night event hosted by the Japan Society, Keiichiro Hirano delivers his keynote speech titled “The Question of Selfhood” in which he shares how his upbringing in Kitakyushu, Fukuoka during the eighties and nineties inspired his interest in literature and how he attempts to tackle questions of the individual’s place in modernity through his novels.
Can a typo inspire a story? In the opening paragraph of Anelise Chen’s memoir, Clam Down: A Metamorphosis (One World, 2025), the narrator recalls a text message from her mother wherein the phrase “calm down” has been transformed, whether through a typo or autocorrect, into “clam down.” This cryptic mistake becomes the premise for a story of metamorphosis and connections, withdrawal and closing up, and family history, as Chen weaves in mollusk science and explores a long-ago period of her father’s retreat from the family. Spend some time observing words and language you see in your daily life from text messages, signage, advertisements, and labels. Select a phrase that has the potential to be interpreted in an open way and leads you into writing a new story, perhaps one that incorporates science, the natural world, and elements of the fantastic.

In this Jaipur Literature Festival event moderated by Nadini Nair, novelists David Nicholls, V. V. Ganeshananthan, Geetanjali Shree, Jenny Erpenbeck, and Andrew O’Hagan discuss their respective writing processes, as well as how the novel voice can be used to interrogate the histories established by colonial powers.