In the essay collection Exophony: Voyages Outside the Mother Tongue, translated from the Japanese by Lisa Hofmann-Kuroda and published by New Directions in June, Yoko Tawada explores various aspects of life, communication, and art through a lens of linguistic and cultural hybridity. In “Paris: This Language Which Is Not One,” Tawada writes about a poem by Paul Celan in which the German words for dwindling (Neige) and snow (Schnee) appear in adjacent lines, pointing out that Neige means snow in French. “To me, Celan’s poems have a multilingual structure akin to a magic net that even captures Japanese, a language he never knew,” Tawada notes. Write a poem in which you deploy a “magic net” that allows you the freedom to play with associative, expansive thinking, capturing any basic knowledge of words in other languages or dialects or registers. What unexpected connections can be made?

In award-winning Palestinian American poet and novelist Hala Alyan’s debut memoir, I’ll Tell You When I’m Home (Avid Reader Press, 2025), she explores themes of loss and exile in conjunction with her experience preparing for the arrival of a new baby through surrogacy after years of struggling with infertility and miscarriages. While looking forward to the birth of her daughter, Alyan reflects on her family’s history with immigration and her childhood moving around Kuwait, Jordan, Lebanon, the UAE, Texas, and Oklahoma, and examines the roles of heritage and matriarchal storytelling. Write a personal essay that looks to the role of storytelling in your own family and childhood. What stories were told to you by parents, aunts and uncles, grandparents, and elders in your community? How are these stories and myths connected to your cultural inheritance and your formation as a writer and storyteller?

Double-booking can be a hilarious premise for comedy, as in the wedding rom-com films Bride Wars and You’re Cordially Invited in which two weddings are booked for the same venue on the same day, or a terrifying setup for horror, as in the 2022 film Barbarian in which a woman arrives at a rental home already occupied by a mysterious guest. This week write a short story that revolves around a reservation error that results in characters being unexpectedly forced into sharing a space. Do the opposing parties know each other or are they complete strangers? You might consider playing with narrative perspective and incorporating portions from opposing characters’ points of view or experimenting with a fragmentary structure to evoke suspense and disorientation. Is your story a comedy or horror of errors?