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“It’s about memory, and love, and friendship,” says Sandra Cisneros in this short video introducing her first work of fiction in nearly a decade, Martita, I Remember You (Vintage, 2021), a novel about three women who travel to Paris to fulfill their dreams. The book comes in a dual-language edition with a Spanish translation by Liliana Valenzuela.
“The place was so deathly still and deserted that you might have thought the time long after midnight.” In this 2001 reading at the 92nd Street Y, the late W. G. Sebald reads from his novel Austerlitz (Random House, 2001), translated from the German by Anthea Bell, for which he received the National Book Critics Circle Award.
Madhu Kaza and Jeremy Tiang speak about their “slow, long fall into translation” and how writing and literary translation are forms of encounter in this conversation for the Literary Translation Clinic series, presented by the Center for Fiction and Cedilla & Co.
“Fernando Pessoa in many ways was a writer of not so much his own time, but even more of a future time.” Translator and scholar Richard Zenith speaks about the life and work of Portuguese poet Fernando Pessoa collected in his new book, Pessoa: A Biography (Liveright, 2021), in this conversation with poet, editor, and translator Patricio Ferrari for Powell’s Books.
“To what and whom am I responsible when translating this text?” In this Center for Fiction virtual event, Brazilian literature translator Katrina Dodson offers ways to consider a practical philosophy of translation and speaks with translator Heather Cleary about questions and ways to approach the work. The Literary Translation Clinic is a monthly series of open sessions with a focus on literary translation as a profession hosted by members of the translator collective, Cedilla & Co.
This week’s installment of Ten Questions features Pajtim Statovci and David Hackston, the author and the translator of Bolla.
This week’s installment of Ten Questions features Mariana Oliver and Julia Sanches, the author and the translator of Migratory Birds.
Writers of all stripes will find opportunities in the last contests of May and the first of June. With deadlines of May 30, May 31, or June 1, these opportunities include a prize for undergraduate fiction writers, several contests awarding book publication, and grants supporting the translation of book-length works of poetry and prose. All offer a cash award of $1,000 or more and three charge no entry fee.
American Short Fiction Halifax Ranch Fiction Prize: A prize of $2,500 and publication in American Short Fiction is given annually for a short story. Deadline: June 1. Entry fee: $20.
Anhinga Press Prize for Poetry: A prize of $2,000, publication by Anhinga Press, and 25 author copies is given annually for a poetry collection. Ellen Bass will judge. Deadline: May 31. Entry fee: $25 ($28 for electronic submissions).
BOA Editions Short Fiction Prize: A prize of $1,000 and publication by BOA Editions is given annually for a short story collection. Peter Conners will judge. Deadline: May 31. Entry fee: $25.
Boulevard Emerging Poets Contest: A prize of $1,000 and publication in Boulevard is given annually for a group of poems by a poet who has not published a poetry collection with a nationally distributed press. The editors will judge. Deadline: June 1. Entry fee: $16.
Bridport Arts Centre Bridport Prizes: Two prizes of £5,000 (approximately $6,871) each and publication in the Bridport Prize anthology are given annually for a poem and a short story. Two second-place prizes of £1,000 (approximately $1,375) each and publication are given in each category. A prize of £1,000 (approximately $1,375) and publication is also given for a work of flash fiction. Raymond Antrobus will judge in poetry and Robert McCrum will judge in fiction and flash fiction. Deadline: May 31. Entry fee: £10 (approximately $14) for poetry, £12 (approximately $17) for fiction, and £9 (approximately $12) for flash fiction.
Center for Fiction New York City Emerging Writer Fellowship: Nine fellowships of $5,000 each and a one-year membership to the Center for Fiction in New York City are given annually to fiction writers living in New York City who have not yet published a book of fiction. Winners also have the opportunity to meet with editors and agents who represent new writers, and have access to the center’s writing space, the Writers Studio, for one year. Students who will be enrolled in a degree-granting program during the fellowship period, or who are currently under contract with a publisher for a work of fiction, are ineligible. Deadline: May 30. Application fee: none.
Elixir Press Fiction Award: A prize of $2,000, publication by Elixir Press, and 25 author copies is given annually for a short story collection or a novel. Ann Harleman will judge. Deadline: May 31. Entry fee: $40.
Milkweed Editions Max Ritvo Poetry Prize: A prize of $10,000 and publication by Milkweed Editions is given annually to a U.S. poet for a debut poetry collection. Henri Cole will judge. Deadline: May 31. Entry fee: $25.
PEN America PEN/Heim Translation Fund Grants: Ten grants of $3,000 each are given annually to support the translation of book-length works of poetry, fiction, and creative nonfiction that have not previously appeared in English or have appeared only in an “outdated or otherwise flawed translation.” An additional $5,000 grant, the PEN Grant for the English Translation of Italian Literature, will be given to support the translation of a book of fiction or nonfiction from Italian into English. Manuscripts with up to two translators are eligible. Deadline: June 1. Entry fee: none.
Salamander Fiction Prize: A prize of $1,000 and publication in Salamander is given annually for a short story. Yiyun Li will judge. Deadline: June 1. Entry fee: $15.
Southern Poetry Review Guy Owen Prize: A prize of $1,000 and publication in Southern Poetry Review is given annually for a single poem. Deadline: May 31. Entry fee: $20.
Stony Brook Southampton Undergraduate Short Fiction Prize: A prize of $1,000 is given annually for a short story by a college student. The winner also receives a full scholarship to attend the Southampton Writers Conference in summer 2022, and their winning work will be considered for publication in Southampton Review. Deadline: June 1. Entry fee: none.
University of Georgia Press Flannery O’Connor Award for Short Fiction: A prize of $1,000 and publication by University of Georgia Press is given annually for a collection of short fiction. Deadline: May 31. Entry fee: $30.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.
Pedro Mairal’s The Woman From Uruguay, translated by Jennifer Croft, forthcoming from Bloomsbury on July 6, 2021.
