Literary MagNet: Candace Williams
The author of I Am the Most Dangerous Thing introduces five journals that first published their poems and engaged them in community, including Sixth Finch and Prelude.
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The author of I Am the Most Dangerous Thing introduces five journals that first published their poems and engaged them in community, including Sixth Finch and Prelude.
In her new Planetaria series, artist Monica Ong crafts visual poems in the form of objects that prompt the audience to experience poetry through the lens of astronomy.
Luis Alberto Urrea always knew his mother had a story; he just didn’t know how to tell it. But in researching his new novel, Good Night, Irene, he gained a deeper understanding of the person she was and the happy ending she deserved.
A trio of academics—including two poets—has compiled data on the winners and judges of major literary prizes in the U.S. Their findings raise critical questions about how social hierarchies influence who gets rewarded for their writing.
With roots in nature writing, environmental justice, poetry, and photography, Camille T. Dungy’s new book, Soil: The Story of a Black Mother’s Garden, delves into the personal and political act of cultivating one’s own green space.
The first lines of a dozen noteworthy books, including Any Other City by Hazel Jane Plante and Thinning Blood: A Memoir of Family, Myth, and Identity by Leah Myers.
Tax season is coming up, but it doesn’t have to be intimidating. The author explains how writers can follow the rules to their advantage to protect their earnings.
Inspired by books and magazines she found discarded on the street, Oakland-based artist Alexis Arnold explores the vulnerability of printed media by transforming books into sculptures with crystallized borax.
The author of When Trying to Return Home describes her connection with journals that first published her stories, including Jabberwock Review and the Vassar Review.
In partnership with the Academy of American Poets, the Guggenheim is refreshing its connection to poetry with a poets-in-residence program, through which the museum is reimagining its offerings to engage the community with verse.