Foreign Objects 2: Seams and Borders
Writer and translator Elizabeth T. Gray considers the craft of integrating foreign objects into poetry.
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Tags: writing process
Ten Questions for Lucas Schaefer
“A book takes a long time to write, and a long time to publish. So, you know, take a breath!” —Lucas Schaefer, author of The Slip
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Foreign Objects 1: What’s This Doing Here?
Writer and translator Elizabeth T. Gray explores the history and function of foreign objects in poetry.
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Ten Questions for Nicola Dinan
“But so much of the work is done in those gaps, when the book sits in the back of your mind with your subconscious untangling it.” —Nicola Dinan, author of Disappoint Me
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Ten Questions for July Westhale
“And while it is an expansive, strange book, it manages to feel contained and possible. I think that’s in part because it was written from a place of confinement.” —July Westhale, author of moon moon
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On Trauma and Taking Good Care
Author Jehanne Dubrow recommends rituals to help protect yourself when writing about trauma.
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Ten Questions for Keetje Kuipers
“I’m a firm believer these days in discomfort on the page, whether it’s sonic, tonal, metaphorical, or imagistic.” —Keetje Kuipers, author of Lonely Women Make Good Lovers
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Ten Questions for Arthur Sze
“Write one poem at a time and resist knowing where you are going.” —Arthur Sze, author of Into the Hush
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Ten Questions for Dennis E. Staples
“Editing down is something I dread in the abstract because I know I can lose motivation easily. But this book has ingrained the lesson in me fully.” —Dennis E. Staples, author of Passing Through a Prairie Country
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Not All Stories Are Straight: Circular and Nested Structures From Asian Storytelling
The author of Spring, Summer, Asteroid, Bird (Norton, 2025) recommends writers embrace circuitous storytelling structures, typical of nonwestern literature.
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