Ten Questions for Safia Elhillo
“This book really fought me, or I fought it, for the first couple of years.” —Safia Elhillo, author of Girls That Never Die
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“This book really fought me, or I fought it, for the first couple of years.” —Safia Elhillo, author of Girls That Never Die
“I was struck by the freedom of third person, how I could roam and jump and skip around, and cozy up to characters and then back away.” —Ottessa Moshfegh, author of Lapvona
“I wanted to write female friendship in a way that felt honest to me.” —Christine Kandic Torres, author of The Girls in Queens
“When you’re in that in-between stage, between starting something and gathering speed, a piece of chipped nail polish is the most riveting thing in the world.” —Sloane Crosley, author of Cult Classic
“If I had known about the twists and turns beforehand, I like to think I would have kept going, but maybe it’s better not to know.” —Vanessa Hua, author of Forbidden City
The author of Country of Origin listens to old-school Arabic music to help her render the mood of Egypt at the dawn of the postcolonial period.
The translator of Migratory Birds and Permafrost uses Google Maps to immerse herself in the settings of her translation projects.
Founded in 2017, the African Poetry Digital Portal serves as singular resource for studying contemporary African poetry. Now, with a grant from the Andrew W. Mellon Foundation, the project’s leaders aim to expand their offerings.
The author of Southbound and The Parted Earth shares her approach to balancing projects in multiple genres.
The author of White Blood: A Lyric of Virginia discusses definitions of poetry, ancestral silence, and unpacking American history’s “white blood.”