“If you’re on Twitter and Facebook and sharing there, there’s no pressure of concealment, and I think good memoir comes out of that place.” Dani Shapiro, whose fifth memoir, Inheritance: A Memoir of Genealogy, Paternity, and Love (Knopf, 2019), is featured in Page One in the January/February issue of Poets & Writers Magazine, talks with Literary Hub’s Emily Temple about how social media could have an adverse effect on writing and storytelling.

In this video from the New York Public Library, 2018 National Book Awards finalists, including Rebecca Makkai, Hanne Ørstavik, and Jeffrey C. Stewart, sit down to answer questions about their favorite books and which fictional character they’d want to hang out with.

“The book is a kind of implosion, emotionally and intellectually, and you just wait for some kind of rhythm to form.... And then I will work all day, every day.” Nicola Barker, who won the 2017 Goldsmiths Prize for her novel H(a)ppy (William Heinemann, 2017), talks to Granta about her writing process and the difficulty of transitioning from writing on a digital screen to seeing the book in print form.

“I’ve claimed these lives, I’ve claimed these fables, but I made them into my own.” Carly Joy Miller reads from her poetry collection, Ceremonial (Orison Books, 2018), and speaks with Lisa Grove about the use of persona in her work for this Poetry.LA interview.

“In the beginning we were one blood. / Then the body, stem of thorns, grew / its disagreement from the inside / out.” In this Motionpoems film directed by Tom Speers, Peter LaBerge’s poem “Boy Saint” is narrated by Michael McElhatton. LaBerge is the editor in chief of the Adroit Journal and the author of the chapbook Makeshift Cathedral (YesYes Books, 2017).

“I think there’s also in the book a sort of collective mind-set, which is seen as more important than the individual identity or autonomy.” Anna Burns talks about her third novel, Milkman (Faber & Faber, 2017), for which she won the 2018 Man Booker Prize, making her the award’s first Northern Irish honoree.

“Then, before you’re gone, you know that all that’s ever been will still be, even if there are no tomorrows.” Nana Kwame Adjei-Brenyah, a 2018 National Book Foundation 5 Under 35 honoree nominated by Colson Whitehead, reads the last page of his story “Through the Flash” from his debut story collection, Friday Black (Mariner Books, 2018).