National Book Critics Circle Award Finalists Announced

This morning the National Book Critics Circle (NBCC) announced the finalists for its 2018 awards. The awards are given annually for books of poetry, fiction, nonfiction, criticism, autobiography, and biography published in the previous year.

The finalists in poetry are Terrance Hayes for American Sonnets for My Past and Future Assassin (Penguin Books), Ada Limón for The Carrying (Milkweed Editions), Erika Meitner for Holy Moly Carry Me (BOA Editions), Diane Seuss for Still Life With Two Dead Peacocks and a Girl (Graywolf Press), and Adam Zagajewski for Asymmetry, translated by Clare Cavanagh (Farrar, Straus and Giroux).

The finalists in fiction are Anna Burns for Milkman (Graywolf Press), Patrick Chamoiseau for Slave Old Man, translated by Linda Coverdale (New Press), Denis Johnson for The Largesse of the Sea Maiden (Random House), Rachel Kushner for The Mars Room (Scribner), and Luis Alberto Urrea for The House of Broken Angels (Little, Brown).

The finalists in autobiography are Richard Beard for The Day That Went Missing: A Family’s Story (Little, Brown), Nicole Chung for All You Can Ever Know (Catapult), Rigoberto González for What Drowns the Flowers in Your Mouth: A Memoir of Brotherhood (University of Wisconsin Press), Nora Krug for Belonging: A German Reckons With History and Home (Scribner), Nell Painter for Old in Art School: A Memoir of Starting Over (Counterpoint), and Tara Westover for Educated (Random House).

The NBCC also announced that Tommy Orange has won the John Leonard Prize for his debut novel, There There (Knopf). The Nona Balakian Citation for Excellence in Reviewing was awarded to editor, columnist, and NPR Fresh Air book critic Maureen Corrigan, while Arte Público Press received the Ivan Sandrof Lifetime Achievement Award. Visit the NBCC website to read the full list of finalists, including those in the categories of general nonfiction, biography, and criticism.

Established in 1975, the National Book Critics Circle Awards are selected by the NBCC’s board of directors, composed of twenty-four editors and critics from leading print and online publications. Last year’s winners included poet Layli Long Soldier and novelist Joan Silber. The 2018 winners will be announced on March 14 at the New School in New York City.

If Beale Street Could Talk

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James Baldwin’s 1974 novel If Beale Street Could Talk has been adapted into a feature film directed by Barry Jenkins. Starring Stephan James, Regina King, and KiKi Layne, the film follows a young woman in 1970s Harlem attempting to prove her fiancé’s innocence when he is arrested for a crime he didn’t commit.

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The Water Cure

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Sophie Mackintosh reads from her debut novel, The Water Cure (Doubleday, 2019), at Waterstones bookstore and talks about being influenced by Jeffrey Eugenides’s novel The Virgin Suicides, Yorgos Lanthimos’s film Dogtooth, Joan Lindsay’s novel Picnic at Hanging Rock, and the recent sociopolitical climate.

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Yiyun Li

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“What one carries from one point to another, geographically or temporally, is one’s self.” Yiyun Li reads from her debut memoir, Dear Friend, From My Life I Write to You in Your Life (Random House, 2017), in this video produced by the Office of Communications at Princeton University. Li, whose novel Where Reasons End is forthcoming from Random House in February, is featured in “Portraits of Inspiration” in the January/February issue of Poets & Writers Magazine.

George R. R. Martin on Stan Lee

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“A story or a character should change. The events that happen change us.” George R. R. Martin, whose book Fire & Blood: 300 Years Before A Game of Thrones (Bantam, 2018) is a history of the Targaryen family from his fantasy novel series A Song of Fire and Ice, talks to John Hodgman about how the realness in Stan Lee’s comic books influenced him as a writer.

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2018 Maureen Egen Writers Exchange Winner in Poetry: The Literary Community

Anushah Jiwani graduated summa cum laude from Hendrix College with a BA in English–Creative Writing and International Relations. She is the 2018 recipient of the Maureen Egen Writers Exchange Award (WEX) for poetry sponsored by Poets & Writers. She took honors in the 2017 Southern Literary Festival Competition and won third place in the statewide 2017 Jeannie Dolan Carter Collegiate Poetry Contest sponsored by the Poets’ Roundtable of Arkansas. Jiwani also won the Fourth Annual Short Fiction Contest sponsored by the Hemingway-Pfeiffer Museum and Educational Center in 2017. Much of her writing centers on the duality of her Pakistani American identity and aims to provide a space for the immigrant voice.

In May of 2018, I found out that I was the recipient of Poets & Writers’ Maureen Egen Writers Exchange Award for poetry. In addition to a generous honorarium and a reading, Joshua Idaszak, the winner for fiction, and I would get the chance to meet with editors, authors, and publishers in New York City. Bonnie Rose Marcus worked tirelessly to arrange meetings, and welcomed us with open arms in November.

What I learned: editors, publishers, literary agents—they’re all just ordinary people. They want to know about you, and it’s as easy as one simple conversation. This prize creates the opportunity for that conversation to happen, with generous support from the team at Poets & Writers.

Through these conversations, many things became clear: internal relationships mattered, there would be little money in poetry, literary agents wanted novels over short stories, small presses are dedicated to their authors, and within all this business, community around writing was a precious thing.

Among others, I chose to meet with Paolo Javier, who works tirelessly to create community and accessibility around writing at Poets House, and Sarah Gambito, cofounder of Kundiman, who is seeking holistic points of entry and multidisciplinary forms for audience engagement.

These poets have been motivated by lack of opportunity or equity in the writing world, and are trying to create honest spaces for established and growing writers. We talked about embracing rejections, finding the right MFA programs, expanding community programs, the discipline required for publishing one’s work, and our love for literature.

As a writer, I learned an incredible amount about the inner workings of the literary world through this trip. But what was more significant, personally, was being able to connect with other writers of color who shared their experiences about navigating and succeeding in this sphere.

The Maureen Egen Writers Exchange Award is generously supported by Maureen Egen, a member of the Poets & Writers Board of Directors.

Photo: (left to right) Joshua Idaszak, 2018 WEX poetry judge Cheryl Boyce-Taylor, Anushah Jiwani, R&W (east) director Bonnie Rose Marcus, R&W fellow Arriel Vinson, and R&W program assistant Ricardo Hernandez (Credit: Christian Rodriguez).

Jenny Xie

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“My frugal mouth spends the only foreign words it owns. / At present, on this sleeper train, there’s nowhere to arrive.” Jenny Xie, a finalist for the 2018 National Book Award in poetry, reads “Rootless” and “Ongoing” from her debut poetry collection, Eye Level (Graywolf Press, 2018). Xie is featured in “Wilder Forms: Our Fourteenth Annual Look at Debut Poets” in the January/February issue of Poets & Writers Magazine.

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Josh Malerman

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Josh Malerman talks about writing novels while touring with his band, incorporating performance and radio play elements into his book readings, and the inspiration behind his debut novel, Bird Box (Ecco, 2014), in this video from the 2015 Midwest Literary Walk. The novel has been adapted into a feature film directed by Susanne Bier and starring Sandra Bullock, John Malkovich, Sarah Paulson, and Trevante Rhodes.

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Bird Box

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Bird Box (Ecco, 2014), the debut novel by Josh Malerman has been adapted into a feature film. Directed by Susanne Bier, the psychological thriller film stars Sandra Bullock, John Malkovich, Sarah Paulson, and Trevante Rhodes and follows a woman and her two children as they traverse a post-apocalyptic landscape while blindfolded to escape an unseen, supernatural adversary.

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