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In this edition of PEN to Paper, James Hannaham talks about how “word choice creates atmosphere and character all by itself” and leads writers through several language-related exercises, including one that involves taking a New York Times online quiz on dialect.
“I’m also asking you to unleash the cry of the subconscious, and to listen and record that voice from within without fear or judgment. Listening to yourself in that way is actually a radical act of self-love.” Ananda Naima González leads an exercise in asemic writing for PEN to Paper, a video series of original writing exercises from authors participating in PEN America’s 2020 Digital World Voices Festival: These Truths.
“They’ve asked that the bookstore be cleared away during the event / they say it’s no place to sell books…” As part of the Writers in Residence at-home video series for PEN America’s 2020 Digital World Voices Festival, Oksana Vasyakina reads her poem “These people didn’t know my father,” translated from the Russian by Ainsley Morse and Eugene Ostashevsky.
In this PEN to Paper series video, PEN America president Jennifer Egan guides viewers through a short writing exercise involving a “word throw,” designed to help writers to free up their minds to the unconscious imagination. The series is part of PEN America’s 2020 World Voices Festival: These Truths, held digitally this year.
“One person’s didacticism is another person’s revelation.” At the Center for Fiction, Parul Sehgal moderates a conversation with authors Viet Thanh Nguyen and Chinelo Okparanta as part of the 2017 PEN World Voices Festival.
“Do we always go and attend funerals and then after the funerals you go home and wait for another funeral, what? You have to document. You are forced to document.” In this video from the 2015 PEN World Voices Festival, Shireen Hassim moderates a conversation with Kehinde Bademosi, Zanele Muholi, and Binyavanga Wainaina to survey today's African gay rights landscape.
As part of the 2010 PEN World Voices Festival, novelist Siri Hustvedt, who is profiled in the current issue of the magazine, read an excerpt from The Summer Without Men, published this month by Picador.
