Genre: Poetry

Brittingham and Felix Pollak Prizes

University of Wisconsin Press
Entry Fee: 
$28
Deadline: 
September 15, 2025
Two prizes of $1,500 each and publication by University of Wisconsin Press are given annually for poetry collections. Using only the online submission system, submit a manuscript of 50 to 90 pages with a $28 entry fee by September 15. All entries are considered for publication. Visit the website for complete guidelines.

Honickman First Book Prize

American Poetry Review
Entry Fee: 
$25
Deadline: 
October 1, 2025
A prize of $3,000 and publication by American Poetry Review is given annually for a debut poetry collection. The winning book is distributed by Copper Canyon Press through Consortium. Dorothea Lasky will judge. Using only the online submission system, submit a manuscript of at least 48 pages with a $25 entry fee by October 1. Visit the website for complete guidelines.

Jake Adam York Prize

Copper Nickel
Entry Fee: 
$25
Deadline: 
October 15, 2025
A prize of $2,000 and publication by Milkweed Editions is given annually for a first or second poetry collection. Using only the online submission system, submit a manuscript of at least 48 pages with a $25 entry fee, which includes a subscription to Copper Nickel, by October 15. Visit the website for complete guidelines.

Gerald Cable Book Award

Silverfish Review Press
Entry Fee: 
$25
Deadline: 
October 15, 2025
A prize of $1,000, publication by Silverfish Review Press, and 25 author copies is given annually for a debut poetry collection. Submit a manuscript of at least 48 pages with a $25 entry fee, which includes a copy of the winning book, by October 15. Visit the website for complete guidelines.

Wisconsin Prize for Poetry in Translation

University of Wisconsin Press
Entry Fee: 
$28
Deadline: 
November 10, 2025
A prize of $1,500 and publication by University of Wisconsin Press is given annually for a poetry collection in translation. Daniel Borzutzky will judge. Using only the online submission system, submit a manuscript of 75 to 250 pages of poetry including the matching selection in the original language, brief bios of the author and translator, a project description, and proof of permission to translate the work with a $28 entry fee by November 10. Visit the website for complete guidelines.

Garrett Hongo and Edward Hirsch

Caption: 

In this Poets House event, Garrett Hongo reads from his fourth poetry collection, Ocean of Clouds (Knopf, 2025), and Edward Hirsch reads from his new memoir, My Childhood in Pieces: A Stand-Up Comedy, a Skokie Elegy (Knopf, 2025), followed by a conversation between the authors about their friendship and humor.

Details and Images

“If the dandelion on the sidewalk is / mere detail, the dandelion inked on a friend’s bicep / is an image because it moves when her body does,” writes Rick Barot in his poem “The Wooden Overcoat,” published in Poetry magazine in 2012. The speaker of the poem draws a distinction between a “detail” and an “image” defining the latter as something connected to a larger context and personal history that is “activated in the reader’s senses beyond mere fact.” Compose a poem that experiments with this distinction, perhaps incorporating both a “detail” and an “image” so that each functions in an intentional way. You could consider beginning with an item and slowly shifting the reader’s understanding of its significance as the poem progresses. Look to Barot’s poem for inspiration on form and use of space.

Ordinary Devotion

7.29.25

Many poems are written in the heat of falling in love with someone or something, with descriptions of desire, first touches, and breathless beginnings. But what happens after the crescendo when routine replaces urgency, when glances no longer surprise, and when love becomes less about being seen and more about staying? Write a poem about what it feels like to love someone or something after the rush. You could write about a partner, a city, a craft, or a version of yourself. Focus on the quiet gestures, the dailiness, and the things you no longer say out loud. How does love change when it no longer needs to perform?

Gratitude

7.22.25

In their poem “In the chemo room, I wear mittens made of ice so I don’t lose my fingernails. But I took a risk today to write this down.,” published in the Academy of American Poets’ Poem-a-Day series in 2023, Andrea Gibson, who passed away on July 14, wrote about a newfound gratitude for life while being treated for terminal cancer. “Remind me / all my prayers were answered // the moment I started praying / for what I already have,” wrote Gibson. Write a poem that expresses gratitude through confronting the mortal nature of being human. What do you already have in your life that you might be taking for granted? Perhaps begin by listing some of the beautiful things you saw today.

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