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A look at three new anthologies, including How We Do It: Black Writers on Craft, Patience, and Skill and Ingenious Pleasures: An Anthology of Punk, Trash, and Camp in Twentieth-Century Poetry.
The new executive director of Hub City Writers Project shares her vision for HCWP, emphasizing values of regionality, accessibility, and transparency.
In this video from Adam Savage’s Tested, the host visits the American Bookbinders Museum in San Francisco and speaks with executive director Anita Engles about the history of book cover designs and proves that maybe you can judge a book by its cover.
Undergraduate writing programs, books on writing, literary organizations, summer workshops, events, contests, and other resources for those who are driven to put thoughts, emotions, and ideas into words at a young age.
A poet shares how she builds a life around her writing in rural Wisconsin, where literary community takes surprising—and sometimes amusing—forms. She finds both struggle and abundance in her chosen path.
A trio of academics—including two poets—has compiled data on the winners and judges of major literary prizes in the U.S. Their findings raise critical questions about how social hierarchies influence who gets rewarded for their writing.
With the rise of AI-generated writing, writers and publications alike struggle with the question of what authorship means.
The authors of The Invisible Art of Literary Editing engage in a dialogue about textual doneness.
This Wall Street Journal video analyzes the history and business model of the bookstore chain Barnes & Noble and how they are adopting the strategies of independent bookstores by empowering their local booksellers to make more decisions on inventory and displays in order to boost sales.
The Boston University Creative Writing Program, one of the oldest and most prestigious in the country, hosts many readings by faculty, students, and visiting writers, as well as lectures, talks, and panel discussions throughout the school year.
