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One way MFA programs provide funding to students is by hiring them as teaching assistants to teach writing classes in exchange for a stipend and, often, tuition remission and health insurance. While each program defines its teaching assistantships differently, in general there are a few things you should know before applying and preparing for one.
In the cyclone-ravaged country of Myanmar, where citizens face censorship and repression, contributor Stephen Morison Jr. speaks with authors who, despite the country's Orwellian police state, refuse to be intimidated and continue to write.
The brief, contentious, and ultimately fruitless relationship between poet Stacey Lynn Brown and the editors of Cider Press, points to an essential question that pops up often in literary publishing: Whose opinion—author's or publisher's—should matter most when it comes to finalizing the product that enters the marketplace as a book?
After a brief but torrential thunderstorm in mid-June, eight writers of poetry and prose, myself included, huddled around a picnic table crowded with three-buck beer and leaves of printed-out poems, stories, and essays in the concrete garden of a Brooklyn bar. It had been almost a year since I'd taken a seat at a table with other writers to talk about the stuff, the meat of our writing and the project at hand every time each of us settles in to confront the blank page.
As the presidential election approaches, our national hand-wringing has ramped up and everyone is once again focused on the perennial question: What makes America America? Two recent literary anthologies show just how far this popular introspection reaches into our creative communities of writers and artists.
This month, to commemorate the fortieth anniversary of Robert Pirsig's legendary cross-country motorcycle trip, Knopf is publishing Zen and Now: On the Trail of Robert Pirsig and the Art of Motorcycle Maintenance by Mark Richardson, a journalist who retraced Pirsig's route, interviewed the reclusive author, and discovered the lasting value of a literary classic.
It's been a half century since G. P. Putnam's Sons published Lolita and brought the infamous novel to American readers three years after its explosive reception in Paris, and while the anniversary of the literary classic's stateside publication is met with a rather subdued celebration, Nabokov's masterpiece continues to incite strong reactions.
Small Press Points highlights the happenings of the small press players. This issue features Word Riot, Chiasmus Press, Future Tense Books, Fiction Collective 2, Marick Press, BOA Editions, Calamari Press, and 3rd Bed.
Booksellers and readers alike tend to think of novels as belonging to one of two distinct categories—literary or genre fiction, high or low culture, elitist or democratic—but more and more of America's respected literary novelists are choosing to dip from the genre pot.
The best advice for how to produce good poetry or prose has always been the most simple—just sit down and write—but perhaps sitting isn't the answer after all.
