Joyce Carol Oates reviews Lorrie Moore; Chimamanda Ngozi Adichie’s foray into film; The Unauthorized Audubon; and other news.
Roger Reeves on the AWP conference; thoughts on writing success and failure; a San Francisco housing project inspires poetry; and other news.
Flavorwire explores the minds behind book thievery; Robert Bolaño the posthumous poet; why book covers will never be the same; and other news.
Haiti Noir, a collection of stories edited by Haitian American writer Edwidge Danticat, is one of the latest in Akashic Books’ series of noir fiction anthologies from around the world.
Associate director Martin Riker speaks about developments at Dalkey Archive, the independent press that recently announced a new distribution deal with Norton and the launch of a new European fiction anthology this fall.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Annalemma Magazine, Oxford American, Ninth Letter, Opium Magazine, the Iowa Review, Slice Magazine, Poet Lore, Fence, and Electric Literature.
By presenting seventy-three poets, all of whom the editors believe constitute what Charles Bernstein famously called "official verse culture" as well as its unofficial, avant-garde counterpart, the new anthology American Hybrid strives to showcase the diversity of contemporary American poetry while also revealing the unusual affinities within it.
As the presidential election approaches, our national hand-wringing has ramped up and everyone is once again focused on the perennial question: What makes America America? Two recent literary anthologies show just how far this popular introspection reaches into our creative communities of writers and artists.
While it's safe to say the twenty-first century has so far not been a great time for American diplomacy, a handful of new poetry anthologies, from Norton, Dalkey Archive Press, North Atlantic Books, and Graywolf Press, offer proof that American poetic diplomacy might be entering a new golden age.
The release of three anthologies of creative nonfiction (or literary nonfiction or narrative nonfiction or whatever you choose to call it) proves that while difficult to label, there’s little challenge finding representative work for the so-called fourth genre.