Pine Hills Review publishes artful, honest, and compelling work of new and established writers, from fiction, nonfiction, and poetry to visual art, interviews, and experimental, cross-genre work. 

La Piccioletta Barca aims to collect and publish high quality art, regardless of the medium. We do not discriminate between new and established authors, and accept anything from classical to experimental art, as long as it is of a high standard.

The literary journal Nostos, containing poetry, short fiction, and art usually focused on a theme, is published by Longship Press twice each year.

Inkwell, a literary journal published through the MFA program at Manhattanville College, seeks submissions in English of poetry, fiction, creative nonfiction/memoir, graphic novel/memoir excerpts, visual art, and genre-blurring work, as well as translations. We are interested in both established and new voices, including voices that have been historically under-represented. Submissions are accepted between June 1 and November 15. Publication is in the spring.

The Tiger Moth Review publishes poetry, prose, art and photography that engage with the themes of nature, culture, the environment and ecology. Send us work that is eco-conscious and critical, work that celebrates the beauty/ bounty of nature, work that is cognisant, curious and contemplative of the relationships between humanity, modernity, cultures and the environments in which we live in or imagine ourselves to inhabit.

The Book Smuggler’s Den is an online literary platform that publishes book reviews, author interviews, flash fiction, short stories, personal essays, and poetry. We publish new and emerging writers in all walks of life.

The Museum of Americana is an online literary review dedicated to fiction, poetry, nonfiction, photography, music, and artwork that revives or repurposes the old, the dying, the forgotten, or the almost entirely unknown aspects of Americana. It is published purely out of fascination with the big, weird, wildly contradictory collage that is our nation’s cultural history. Issues appear three times a year, in the winter, summer, and fall.

We want to share queerness in its infinite artistic forms; in stories and poems and prose and photos and drawings and paintings (and in art that doesn’t fit into a category, too).

We want to share art that explores the construction of gender and sexuality and identity and how that affects individuals & groups; but also queer hopes, queer traditions & families, queer politics, queer art and queer history and queer bodies.