Started in 2016, The Wire’s Dream is a semi-annual magazine that values your story, your life perspective, and your worldview. An extension of The Black Lion Journal, The Wire’s Dream features creative work in Fiction, Poetry, Art, Creative Nonfiction, Photography, and Combined Work.

  Not Your Mothers Breast Milk is an art blog dedicated to sharing stories about the human experience, connecting with one another, and giving artists an outlet to express their struggles and successes on this journey through life.

Gathering Storm Magazine (GSM) publishes fictional short stories of 2,000 words or less based on the themes for that issue, always an old saying, proverb, or maxim. All genres accepted, but preference to horror, sic-fi, and fantasy.

We love work that is linguistically, intellectually, and emotionally demanding of the reader. We want literary fiction that grows in complexity upon each visitation; we enjoy ornate, cerebral, and voluptuous prose executed with thematic intent. Writers we admire are Zadie Smith, Virginia Woolf, Tom Wolfe, Charles Dickens, Thomas Mann, Robert Musil, Tom Stoppard, Vladimir Nabokov and James Baldwin.

Every piece published in AZURE appears alongside a customized black & white sketch that is devised and executed by our in-house illustrator.

Raising Mothers was founded as a response to the lack of literary writing focused on mothers of color. Raising Mothers is a literary magazine for women of color and femmes of color who mother. 

We are a weekly e-zine with a focus on hybrid work and marginalized writers. Having trouble getting something published? We want to see it. Think prose that makes you want to get up and walk across the country, characters that make you want to shout at the pages in front of you, settings that make you want to run through them.

We call ourselves an “alternative” magazine; that is to say: our purpose is to promote work that is thought-provoking and unconventional. We want the controversial and the radical, the unhinged and the bizarre; we want the obsessive, the compulsive, the pervasive, the combative, and the seductive. We believe that every work of quality art has a home where it belongs, and for the “alternative,” the Matador Review is a home.