Deep Overstock is the International Booksellers' Journal. For our eleventh issue we will publish ANIMALS. Short stories under 2500, flash fiction, mircofiction, poetry, comics, photography, images of any kind in black and white. If you're an illustrator, please submit a Animals-themed color image for our Cover Art Contest. 

Fecund highlights exceptional works of new abundance. The magazine is a medium through which writers and visual artists are exquisitely showcased and paid for their work. Fecund publishes fiction, nonfiction, poetry, theory, criticism, fashion writing, and visual art via interdisciplinary media (text, audio, video, new media).

We welcome poetry, short story and art submissions from all people and places. Send us your most oneiric, moonlit work.

We enjoy writing that’s dream-like but tactile—something that lets one feel the moonbeams between the fingertips.

After Happy Hour isn't limited to any particular genre. In fact, we're not big fans of the whole idea of genre. Whether you write sci-fi poetry, graphic memoirs, historical flash fiction, or straight up literary--if it has strong characters and tight language, we want to read it. We're based in Pittsburgh, PA and have a particular affinity for writers with a connection to the city. Don't take that as a limit to our demographic, however. We welcome submissions from anywhere in the world.

The Museum of Americana is an online literary review dedicated to fiction, poetry, nonfiction, photography, music, and artwork that revives or repurposes the old, the dying, the forgotten, or the almost entirely unknown aspects of Americana. It is published purely out of fascination with the big, weird, wildly contradictory collage that is our nation’s cultural history. Issues appear three times a year, in the winter, summer, and fall.

No Tokens is a journal celebrating work that is felt in the spine. We are run entirely by women, queer, trans, and non-binary individuals, dedicated to featuring the words and artwork of all voices of the past, present, and future. We are here to keep stories alive. We are paying attention.

We want your fiction, poetry, art, criticism—you name it—that pushes against complacent taxonomies and finds itself well off the beaten path. We define ourselves as an “isthmus,” a space of crossings and connectivity, between histories, articulations, media—making of these frontiers a site of play and revitalization.