borrowed solace is published twice yearly and includes creative nonfiction, fiction, poetry, and art.  Since the beginning, we at borrowed solace have committed to reading each and every submission and letting the words of both established and emerging writers spew forth into the world.

Chiron Review presents the widest possible range of contemporary creative writing – fiction and non-fiction, traditional and off-beat, in a perfect-bound, softcover format, including art and photography. We have published many well-known writers, but our focus is on up-and-coming new writers. We look for unpretentious literature that is accessible beyond the ivory towers of academia and outside the bounds of religious or politically correct restrictions. We celebrate ecclectism, diversity, honesty and humor.

MORIA is a national online literary magazine with an all-student editorial board, based at Woodbury University in greater Los Angeles. We accept poetry, fiction, and creative non-fiction from emerging and established writers in the United States and across the world. We publish once-a-year, in the late fall.

MORTAR MAGAZINE evolves the idea that writing can and should be incisive, coming in at the edges, doing that elusive something that makes us question motive, genre, meaning, or narrative itself.

While we accept any prose or poetry submissions, we have a soft spot in our hearts for of-the-moment writing, in the sense of experimental forms and new voices. 

Convivium, a journal of arts, culture, and testimony, is dedicated to exploring our common grounds and lonely places, our epiphanies and dark nights - through poetry, fiction, essays, and the visual arts. 

Founded by Catherine Esposito Prescott and Jen Karetnick, SWWIM Every Day publishes one poem every weekday from women and women-identifying/femme-presenting writers of all ages, races, ethnicities, cultures, orientations, expressions and experience (emerging to internationally acclaimed). Poems are also delivered to in-boxes via subscription. The editors enjoy everything from prose poems to free verse to prosody; however, the digital platform excludes formatting some highly visual or extremely experimental pieces.

The Lark firmly believes that the ubiquity of the internet is not a reason to accept diminished quality in publications or to skip supporting contributors. We seek to publish what's risky, critical, musical, philosophical, playful, experimental, sexy, or deadly serious. Sometimes we publish the bells and blossoms, and sometimes we publish the dark underbelly. 

Above all, we seek to be moved.