Into the Void is an award-winning literary magazine that publishes world-class fiction, flash, creative nonfiction, poetry, and visual art from people of all kinds all over the world. Into the Void strives to be a home where diversity is valued and art is treasured, its editors reading only submissions that have identification information removed to further our mission of fairness and equality. We publish work that which we feel is honest, heartfelt, and screaming to be seen, and are committed to giving writers and artists of all experience levels an opportunity.
Deep Overstock is the International Booksellers' Journal. For our tenth issue we will publish ORIGIN OF LIFE. Short stories under 2500, flash fiction, mircofiction, poetry, comics, photography, images of any kind in black and white. If you're an illustrator, please submit a Origin of Life-themed color image for our Cover Art Contest.
In your bio, please include any bookselling experience you might have had in the past. Mention if you worked at a library or bookstore, or if you have ever had any stewardship for a library you yourself did not own.
Our prose editors are Mickey Collins, Michael Santiago, & Z.B. Wagman. Our poetry editor is Ariel Kusby.
Flora Fiction is dedicated to artists of all types: poets, writers, photographers, and illustrations. We're here to provide a platform for emerging creatives to showcase their work. Our literary magazine comes out every quarter. We are diverse, innovative, eclectic, and different. We are a collective.
Please read the requirements and format correctly.
Fecund highlights exceptional works of new abundance. The magazine is a medium through which writers and visual artists are exquisitely showcased and paid for their work. Fecund publishes fiction, nonfiction, poetry, theory, criticism, fashion writing, and visual art via interdisciplinary media (text, audio, video, new media).
Although we don’t conform to one aesthetic, we respond to work that challenges traditional forms or embraces liminality.
Named after the “American haiku” co-invented by Jack Collom and Robert Kelly, and inspired by the sense of “poetry as correspondence”—between persons, planets, symbols, etc.—The Lune's first editions were unbound chapbooks housed in pre-stamped envelopes and sold at bookstores along the Front Range.
With an emphasis on contemplative and collaborative poetics, our catalogue is shaped around the sense of wonder, delight in experiment, and concern for humanity reflected in the work of contemporary poets.
In this age of information overload, Appalachian Review strives to be a literary sanctuary for the finest contemporary writing and visual art that we can find. Formerly known as Appalachian Heritage, each quarterly issue showcases the work of emerging and established writers throughout Appalachia and beyond, offering readers literature that is thoughtful, innovative, and revelatory. Appalachian Review considers previously unpublished fiction, creative nonfiction, poetry, writing for young adults, craft essays, book reviews, and visual art.
We seek stories that challenge, stories that shift our view, ignite our imaginations, spark conversations, and linger with us long after our eyes leave the page. We invite you to explore, expound, and inspire through short plays, fiction, flash fiction, creative nonfiction, poetry, new media, and visual art.
Required Format: Times New Roman 12pt. All prose should be double-spaced. Poetry should be single-spaced. Drama should follow standard play manuscript formatting. Ponder Review does not accept previously published material nor does it accept multiple submissions per issue. Simultaneous submissions are accepted, but contact Ponder Review if your work has been accepted elsewhere.
Sky Island Journal is an independent, international, free-access literary journal; we are dedicated to discovering and publishing the finest original poetry, flash fiction, and creative nonfiction. We publish accomplished, well-established authors—side by side—with fresh, emerging voices. We provide our readers with a powerful, focused, advertising-free literary experience that transports them: one that challenges them intellectually and moves them emotionally.
We want to be the first publication to give your writing a clean, powerful, international platform with a diverse readership. What are we looking for? We don’t want to limit our readers; therefore, we don’t want to limit you. We know quality work when we experience it. We don’t mean to be coy, but you need to know that we’re not interested in making your art conform to some preconceived aesthetic. We’re neither presumptuous enough, nor pretentious enough, to proclaim what "won’t fit" before we even try it on. Send us your best. We have over 65,000 readers in 145 countries, and they are hungry for the best new writing.
Poetic discourse idioms. Eratio has a new look and a new policy: Eratio no longer publishes issues. Rather, as works are accepted, so they will appear. New work appears two or three times a week or as accepted.
Please send cover letter, bio, and poems together in one attachment. No simultaneous submissions. Be professional. Presentation matters.
The Gravity of the Thing is an independent literary magazine dedicated to the publication of innovative and defamiliarized writing. We publish work that is aware of its literary form, writing that defamiliarizes in craft or content for an enhanced rendering of reality.
Please visit thegravityofthething.com/about before submitting, as your writing should reflect our desired criteria. For more information about defamiliarized writing and our publishing practices, please visit our Baring the Device column at thegravityofthething.com/catalog/baring-the-device.