CAGIBI is invested in sharing the universal human experiences to be found in works of prose and poetry set within places unfamiliar to readers; thus, our expressed interest in international—or world—literature, and works in translation. CAGIBI is versatile in its purpose and mission to readers and writers. The journal concerns literature in which character conflict, ultimately story, is tied to place.

We’re particularly interested in themes of healing and reclaiming, family and found family, communities and support systems, and quite plainly, love. We invite you to invent, reinvent, experiment, and bend or break the rules. Give us your big and your small, your subtle poetry and your speculative fiction, your political and your personal, your faith, identity, love, loss, and humanity.

Each issue of COG is a curiously constructed curation offered up by the students of Cogswell College. COG's writers thrill with skillfully wrought and cohesive narratives; insight and intensity; imagery and attitude - alternating nimbly between closely examined moments, characters or nuances and larger human themes. COG is not a venue for student work; rather, as of March 2018, COG had received submissions from writers working in 24 countries beyond the U.S.

Toyon publishes distinguished literary and art work, with particular interest in promoting environmental and social justice.

We seek diverse voices from around the world and welcome submissions in all languages.

​We recognize that the texts we encounter sometimes challenge us, and that can be a sign of merit and value. We make it a practice to interrogate our readerly biases and tastes.

Apofenie is a quarterly online literary journal founded in 2017. Our mission is to promote underrepresented voices and share stories that provoke the reader to engage with both their interior lives and the material world. 

MORIA is a national online literary magazine with an all-student editorial board, based at Woodbury University in greater Los Angeles. We accept poetry, fiction, and creative non-fiction from emerging and established writers in the United States and across the world. We publish once-a-year, in the late fall.

MORTAR MAGAZINE evolves the idea that writing can and should be incisive, coming in at the edges, doing that elusive something that makes us question motive, genre, meaning, or narrative itself.

While we accept any prose or poetry submissions, we have a soft spot in our hearts for of-the-moment writing, in the sense of experimental forms and new voices.