Grub Street

Basic Information
Grub Street | c/o Department of English | CLA Building | 8000 York Rd
Towson
Maryland
United States
21252
Contact Information
Grub Street
Editors
Grub Street Editors
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
E-publication
Print
Reading Period: 
Sep 1 to Jan 28
Reporting Time: 
3 to 6 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
1952
Distributors: 
Towson University
Percentage of Unsolicited Submissions Published: 
Greater than 50
Representative Authors: 
Aimee Parkison, Robert Morgan, Randall Brown
Issues per Year: 
1
Circulation: 
1,000 to 2,500
Subscription Price: 
free
Issue Price: 
free
Number of Debut Authors per Issue: 
40

Founded in 1952, Grub Street is Towson University’s literary journal. Produced annually, we publish works of fiction, creative non-fiction, poetry, and visual art.

Waxwing

Basic Information
United States
Contact Information
W. Todd
Kaneko
Co-Editor, Poetry Co-Editor
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Reading Period: 
Sep 1 to May 31
Reporting Time: 
3 to 6 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
2013
Distributors: 
Web
Percentage of Unsolicited Submissions Published: 
1% to 5%
Representative Authors: 
Poetry: Kelli Russell Agodon, Kaveh Akbar, Sherwin Bitsui, Victoria Chang, Franny Choi, Tarfia Faizullah, Vievee Francis, Ross Gay, Joan Naviyuk Kane, Ada Limón, Aimee Nezhukumatathil, Natalie Scenters-Zapico, Diane Seuss, Danez Smith, Maggie Smith | Fiction: Caitlin Horrocks, Michael Martone, Kevin McIlvoy, Tiffany Midge, David Rutschman, Tiphanie Yanique, and C. Dale Young | Nonfiction: Marcia Aldrich, Michael Copperman, Katie Cortese, Paul Crenshaw, Heidi Czerwiec, Natanya Ann Pulley, Anjoli Roy, Sejal Shah, Nicole Walker, and Erika T. Wurth | Translation: Eloisa Amezcua, Fady Joudah, Jesse Lee Kercheval, Derek Mong and Anne O. Fisher, and Tomás Q. Morín
Issues per Year: 
3
Circulation: 
Greater than 10,000
Subscription Price: 
N/A
Issue Price: 
Free

Waxwing is a literary journal promoting the tremendous cultural diversity of contemporary American literature, alongside international voices in translation. We believe that American voices are, at their cores, both multicultural and multinational, and so the editors’ mission is to include American writers from all cultural identities — in terms of race, ethnicity, indigenous tribe, gender, class, sexuality, age, education, ability, language, religion, and region — alongside international voices, published bilingually. 

Waxwing publishes poetry, fiction, essays, interviews, reviews, art, and music, as well as international literature in translation. Waxwing currently accepts submissions of poetry, fiction, nonfiction, and translations; all other content is solicited.

Due to the high number of submissions and Submittable’s fees for magazines, Waxwing caps submissions at 300/month—submitting at the beginning of the month improves your chances of catching us before we hit the limit. If you are unable to submit due to closure, please come back and submit the next month.

Molly O’Neill

Root Literary
617 South Olive Street
Suite 1207
Los Angeles, CA 90014

Forty-Eight Review

Basic Information
San Diego
California
United States
92127
Contact Information
Claire
Ahn
Editor
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
2018
Issues per Year: 
6
Circulation: 
Less than 1,000

Forty-Eight Review is an online literary magazine that strives to feature the works of Asian writers of all ages around the world. We believe in the power of words and its ability to bring people together, aiming to increase Asian representation in media. Our mission is to celebrate Asia’s diversity through literature. Following our belief that everybody should be able to see themselves as the hero of their own story, we are strong advocates for diversity in fiction and other forms of media. 

Forty-Eight Review likes to see honest and meaningful writing. All genres, including experimental prose and poetry, are encouraged.

Taylor Haggerty

Root Literary
617 South Olive Street
Suite 1207
Los Angeles, CA 90014

Holly Root

Root Literary
617 South Olive Street
Suite 1207
Los Angeles, CA 90014

An Ornery Quarterly

Basic Information
1246 N. Campbell, Apt 3
Chicago
Illinois
United States
60622
Contact Information
William
Eckley
Poetry Editor/Fiction Analyst
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Print
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
2012
Distributors: 
Independent
Percentage of Unsolicited Submissions Published: 
6% to 10%
Representative Authors: 
We represent our own publication, as we are not being run out of a corporation or endowment of the systemic fence that inhibits the progression of literary writing.
Issues per Year: 
2-4
Circulation: 
Less than 1,000
Issue Price: 
$24 for earlier print issues
Number of Debut Authors per Issue: 
At least five

We are a non-institutional aggregator of mediocre literature. We aren't as off the wall as we are on the floor. While our editors continue their efforts to undermine each other, we're on a hunt for beavers eager to usurp the traps and give the literary world a bathetic run for its money. 

If you run away, let the salt pour.

Be crass if you think we can't handle your genius.

If you send a fish sandwich with your hard copy submission, you will be moved to the top of the pile. However, doing so does not guarantee publication.

Foliate Oak Literary Magazine

Basic Information
University of Arkansas at Monticello
562 University Drive
Monticello
Arkansas
United States
71656
Contact Information
Diane
Payne
Faculty Advisor
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Reading Period: 
Aug 1 to Apr 15
Reporting Time: 
Less than 3 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
1974
Percentage of Unsolicited Submissions Published: 
26% to 50%
Representative Authors: 
Nana Kwame Adjei-Brenyah, Tony Hoagland, Molly Giles, and Chelsey Clammer.
Issues per Year: 
8
Circulation: 
5,000 to 10,000
Subscription Price: 
free
Issue Price: 
free
Number of Debut Authors per Issue: 
30-40

UAM undergraduates  solicit enticing writing from emerging and established authors, art and photography, and graphic literature.

Please read us before submitting and read the guidelines.  We like to publish people we haven't previously published.

Ellen Geiger

Frances Goldin Literary Agency, Inc.
214 West 29th Street
Suite 410
New York, NY 10001

Nōd Magazine

Basic Information
2500 University Dr. NW
Calgary
Alberta
Canada
T2N 1N4
Contact Information
Amy
LeBlanc
Editor-in-Chief
Details
Genres Published: 
Poetry
Fiction
Creative Nonfiction
Formats: 
Web
Print
Reading Period: 
Jan 1 to Dec 31
Reporting Time: 
3 to 6 months
Charges Reading Fee: 
No
Accepts Electronic Submissions: 
Yes
Accepts Simultaneous Submissions: 
Yes
Accepts Unsolicited Submissions: 
Yes
Payment: 
No payment
Year Founded: 
2005
Issues per Year: 
2
Circulation: 
Less than 1,000
Subscription Price: 
17$
Issue Price: 
10$

Nōd Magazine is the sole creative writing publication at the University of Calgary. The journal is a creative publication emerging out of an academic environment. The magazine is run by wayward undergraduates who cannot be subdued by essays. We publish innovative work intersecting between the literary and visual arts communities, and seek work that blurs the boundaries of convention.

Push against the borders between genres, mediums, and ideas. Defamiliarize yourself.

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