Readers have anticipated a new novel from the author of The God of Small Things for two full decades. Now, with the release of Arundhati Roy’s The Ministry of Utmost Happiness, the wait is over.
This series of interviews with nearly forty book editors, publishers, and agents offers a unique look at the past, present, and future of the book industry and what writers can do to thrive in today’s publishing world.
This year’s debut fiction roundup features emerging writers Zinzi Clemmons, Hala Alyan, Jess Arndt, Lisa Ko, and Diksha Basu.
Dawn Davis—vice president and publisher of 37 INK, an imprint of Simon & Schuster’s Atria Publishing Group—talks about editing Edward P. Jones, the lack of diversity in publishing, and what some of the most successful authors have in common.
Jennifer Joel, whose clients include Chris Cleave, Joe McGinniss Jr., Evan Osnos, and Shonda Rhimes, talks about the difference between selling fiction and nonfiction, what inspires her to go the extra mile for her authors, and what writers should really want out of publishing.
This year’s debut fiction roundup features emerging writers R. O. Kwon, Fatima Farheen Mirza, Jamel Brinkley, Katharine Dion, and Tommy Orange.
Florida isn’t just the title of Lauren Groff’s new story collection, published in June by Riverhead Books; it’s also a bad joke, a good home, a source of inspiration, a set of contradictions, and, perhaps, ultimately a state of mind.
In his sixth book, a sonnet sequence published by Penguin in June, Terrance Hayes cuts deep, to the marrow of the American moment, in a form with a razor’s edge: love poems for the forces trying to kill you.
For Leslie Jamison, who started out writing fiction and published a novel eight years ago, nonfiction offers a method of exploring the richness of life in all its complexities, as illustrated in her new book, The Recovering: Intoxication and Its Aftermath.
Poet, publisher, editor, and activist Carmen Giménez Smith, whose fifth book, Cruel Futures, is out from City Lights, has some advice for other hardworking poets: We make art to reach readers, not to win a race.