First Fiction 2021

Excerpts from the titles by Eric Nguyen, Lee Lai, Zakiya Dalila Harris, Joss Lake, Pik-Shuen Fung, and the late Anthony Veasna So featured in our annual roundup of the summer’s best debut fiction.
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Excerpts from the titles by Eric Nguyen, Lee Lai, Zakiya Dalila Harris, Joss Lake, Pik-Shuen Fung, and the late Anthony Veasna So featured in our annual roundup of the summer’s best debut fiction.
Alex Torres reflects on the literary legacy of his beloved partner, Anthony Veasna So, the author of the debut story collection Afterparties, who died in December 2020.
In his first nonfiction book, How the Word Is Passed, published in June by Little, Brown, poet and scholar Clint Smith delves into the legacy of slavery alive in the monuments and landmarks within and beyond the United States, in an immersive read that exquisitely depicts how a nation and its inhabitants remember its history.
The author of five poetry collections, most recently frank: sonnets, meditates on the idea of order and revisits her past to consider how shaping a book is like forging and acknowledging a self.
In her third book, the essay collection Girlhood, published by Bloomsbury in March, Melissa Febos transforms scars into meditations on culture and psychology.
In her second novel, How Beautiful We Were, Imbolo Mbue uses the chorus of voices in a small African village fighting for justice in the shadow of an American oil company to sing in celebration of community, connection, and enduring hope.
Ten years after her debut story collection was published, Danielle Evans returns with her second book, The Office of Historical Corrections, a timely reckoning with, among other things, America’s history of racialized violence.
Five authors over the age of fifty—Elizabeth Wetmore, Vivian Gibson, A. H. Kim, Susan Buttenwieser, and Daniel Becker—share excerpts from their first books.
In his third novel, Leave the World Behind, Rumaan Alam delivers a propulsive narrative that speaks to the challenges and crises of the moment while defying any expectations of what a novel written by a gay Indian man should be.
In Homeland Elegies, Pulitzer Prize–winning playwright and novelist Ayad Akhtar blurs the line between fact and fiction in an attempt to reclaim the novel.