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Florida isn’t just the title of Lauren Groff’s new story collection, published in June by Riverhead Books; it’s also a bad joke, a good home, a source of inspiration, a set of contradictions, and, perhaps, ultimately a state of mind.
For Leslie Jamison, who started out writing fiction and published a novel eight years ago, nonfiction offers a method of exploring the richness of life in all its complexities, as illustrated in her new book, The Recovering: Intoxication and Its Aftermath.
Poet, publisher, editor, and activist Carmen Giménez Smith, whose fifth book, Cruel Futures, is out from City Lights, has some advice for other hardworking poets: We make art to reach readers, not to win a race.
Poetry Out Loud offers high school students a new way of seeing the world.
Novelists Caroline Leavitt and Jonathan Evison discuss the books that just didn’t work.
Five writers over the age of fifty whose debut books were released this year: Jimin Han, Laura Hulthen Thomas, Karen E. Osborne, Tina Carlson, and Peg Alford Pursell. Excerpts of their books are available in 5 Over 50 Reads 2017.
With a new book of nonfiction, Bunk, a new job as director of a leading research center on black culture, and a new role as poetry editor of the New Yorker, Kevin Young is fully engaged in a personal program of moving multitudes.
A look at some of the year’s best debut literary nonfiction by Lina María Ferreira Cabeza-Venegas, Mike Scalise, Jeannie Vanasco, Durga Chew-Bose, and Thomas Mira y Lopez.
Two of the most dynamic poets writing today, both with new collections out, explore issues of poetry and craft, aesthetics and language, luxury and yearning, drag and systematic repression.
Salman Rushdie’s new novel, The Golden House, marks a triumphant return to realism for the titan of letters whose insights on everything from novel-writing and magical realism to identity and social media are as fascinating as the worlds he creates in his books.
