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Articles from Poet & Writers Magazine include material from the print edition plus exclusive online-only material.
Notes of a Native Son, James Baldwin’s best-known book, was published in 1955 by Beacon Press. Baldwin’s editor then was Sol Stein, whom he’d known since high school. This essay is an excerpt from Stein’s Introduction to Native Sons by Baldwin and Stein, which will be published by One World, an imprint of Random House, next month. The book includes correspondence between Stein and Baldwin that produced Notes of a Native Son.
Small Press Points highlights the happenings of the small press players. This issue features Green Integer, Coffee House Press, Verse Press, Fiction Collective Two, and Kelsey St. Press.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Midnight Mind Magazine, Small Spiral Notebook, Swink, Mot Juste, the Canary, Blackbird, Ducky, Parakeet, and Rhino.
Vijay Seshadri was born in Bangalore, India, in 1954, and moved to Columbus, Ohio, at the age of five. He has lived in various parts of the country, including Oregon, where he worked as a commercial fisherman, and as a biologist for the National Marine Fish Service. He drove a truck for a living in San Francisco, and worked briefly as a logger before coming to New York City to study with poet Richard Howard in the master's program at Columbia University.
Six months ago, John Barr was named president of the Poetry Foundation. While many poets had never heard of the former Wall Street investment banker (although he is the author of six books of poetry and served on the board of directors of Yaddo as well as that of the Poetry Society of America) many are now acutely aware of the leader of the organization that received a pledge of $100 million over the next thirty years from pharmaceutical heiress Ruth Lilly.
Rebecca Wolff's second collection of poems, Figment, won the 2003 Barnard Women Poets Prize and was published by Norton in April. Her first book, Manderley, was chosen by Robert Pinsky for the 2000 National Poetry Series; it was published by the University of Illinois Press the following year. That publication record alone would satisfy most poets. But Wolff's accomplishments don't end there.
Like most poets, Henri Cole is “against the war” and uncomfortable in large crowds. He pulls at his dark sleeves and looks around nervously, searching as if he might find someone he knows. He is the only man in the room wearing a cardigan sweater and not a suit jacket. He is the only man, save the president, wearing his Many Lamps lapel pin during cocktails.
As anyone who's been through an MFA program can tell you, translating peer critiques is an art in itself. For the workshop novice, here's a brief guide.
Next month millions of writers, scholars, and readers will take part in the centennial celebration of Bloomsday, attending readings, lectures, performances, exhibitions, film screenings, writing workshops, and other events planned in cities around the world.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features can we have our ball back?, Portrait, Argosy, and DoubleTake.
For some writers, community service comes naturally. But for those of us who are accustomed to guarding our precious writing time with our lives, the very thought of adding another activity—no matter how worthy—is daunting. We watch in awe as fellow writers teach, mentor, and travel to remote locations to give workshops to populations ranging from the incarcerated to the homeless to senior citizens. Why do they do it? How do they find the time and emotional energy? Is it possible to serve others without neglecting one's own work?
Thirty-five years after the author's death, the original manuscript of Jack Kerouac's most popular novel and other Kerouac memorabilia are back on the road. Two traveling exhibits—one of which is already under way, the other about to begin—aim to bring the Beat generation's most indelible icon to the masses.
Small Press Points highlights the happenings of the small press players. This issue features Contact Editions, Hours Press, Clear Cut Press, Gaspereau Press, and Luquer Street Press.
Some of the best ideas originate in the most unlikely places. For years, Brian Singer, a graphic designer in San Francisco, was fascinated by bathroom graffiti. The cryptic messages and drawings made him wonder what would happen if complete strangers around the world—and not only those who happened to share a public bathroom—were able to exchange their private thoughts. So four years ago he created the 1000 Journals Project, an ongoing experiment in collective journaling.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Some Great Thing by Colin McAdam and You Remind Me of Me by Dan Chaon.
Only weeks before he turned 55, my father, the poet William Matthews, delivered a manuscript of poems to Peter Davison, his longtime friend and editor at Houghton Mifflin. It turned out to be the last book he wrote. He died of a heart attack on November 12, 1997, the day after his birthday.
Page One features a sample of titles we think you'll want to explore. With this installment, we offer excerpts from Vanishing Point by David Markson and Sky Girl by Rosemary Griggs.
Small Press Points highlights the happenings of the small press players. This issue features Story Line Press, Sarabande Books, Anon. Books, and Rain Taxi.
Literary MagNet chronicles the start-ups and closures, successes and failures, anniversaries and accolades, changes of editorship and special issues—in short, the news and trends—of literary magazines in America. This issue's MagNet features Tameme, Translation Review, Double Change, Circumference, Quick Fiction, the Paris Review, the Virginia Quarterly Review, Diagram, Tiferet: A Journal of Spiritual Literature, Glut, and Bullfight: A Literary Review.
Thanks to muscular marketing and persistent promoting—notable traits of the Academy of American Poets—April has been established as the month to appreciate poetry. But there are other designated days and months during which everyone can celebrate creative writing, both as an art form and as yet another way to turn an average day into a holiday.
How to herald National Poetry Month, year nine? Look to the stars. That's what the Academy of American Poets will do on April 6 in New York City.
In January, Chuck Palahniuk began teaching a free yearlong writers workshop that doesn't appear in the course listings for any college, university, or community arts center. Forget about academic credits—Palahniuk's workshop exists entirely online.
Poet Susan Atefat-Peckham and her six-year-old son were killed in a car accident in Ghor Safi, Jordan, on February 7, 2004. A professor in the MFA program at Georgia College & State University, Atefat-Peckham was in the Middle East as a Fulbright scholar teaching creative writing at the University of Jordan. She was 33. The following Direct Quote was originally posted on October 12, 2001, following the publication of her book That Kind of Sleep.
At some point every writer must turn her attention from the art of creating to the business of selling. And while many authors would like to avoid the industry altogether, a basic understanding of it—from the top five houses to the independents—is an unavoidable necessity.
When it comes to getting poetry into unexpected places, the sky's the limit for Billy Collins. Last fall the former United States poet laureate and author of eight books of poetry partnered with Delta Air Lines to create an audio program of poetry to be offered periodically to passengers on its entire fleet of airplanes.
