In an interview with Paisley Rekdal curated by Victoria Chang for Tupelo Quarterly, the poet discusses how she always writes in pursuit of a form. “Once I have an idea (really, more of a feeling than a subject), I’m always trying to find a way to shape the material of that feeling,” says Rekdal. As an example, Rekdal talks about her poem “Philomela,” from her book Nightingale (Copper Canyon Press, 2019), and how identifying what dissatisfied her about the poem allowed her to find a form for it. This week, find an unfinished poem that you’ve been dissatisfied with and try to express why in a brief sentence. Next, write a new poem that directly addresses this dissatisfaction. Does this exercise help you discover new forms?

Bhanu Kapil’s “Notes Toward a Race Riot Scene” from her collection Ban en Banlieue (Nightboat Books, 2015) portrays—through a flurry of fragments, brief descriptions, anaphora, flashbacks, and flash-forwards—a moment in the speaker’s life before a race riot breaks out in London in 1979. Kapil captures the unease forming in the air before the riot breaks out with the second line: “It’s about a girl walking home from school at the exact moment that her neighbor laces up his Doc Martens, tight.” Write a brief essay that depicts the surrounding atmosphere before a significant event breaks out. How can descriptions of the landscape offer context for the event?

Poets & Writers has launched a second round of Project Grants for BIPOC Writers to support writers in our United States of Writing cities of Detroit, Houston, and New Orleans.

Recently Poets & Writers’ Readings & Workshops program staff members and I held an informational session to help writers from all cities get to know the organization and navigate the process of applying for a project grant. I was pleased to see many New Orleans writers and familiar faces in attendance.

Grants range from $250 to $750 and can be used to pay for costs related to coordinating online literary events in the genres of poetry, fiction, or creative nonfiction. In addition, projects must take place between April 19 and June 30.

To be eligible, applicants must:

• identify as Black, Indigenous, or a person of color;
• be a resident of Detroit, Houston, or New Orleans, including the surrounding metro areas of each city;
• be a published writer of poetry, fiction, or creative nonfiction, or have performance credits as a spoken word artist.

The response to our first grant applications was well-received in all three cities, and we’re so pleased to be able to offer this second round. For New Orleans, the project grants come at a perfect time when many of our literary festivals and National Poetry Month events are going virtual.

To find out more about the project grants, watch the virtual informational session below and read about how to apply here. And if you have any questions, feel free to reach out to me at [email protected].

Ocean Vuong’s debut novel, On Earth We’re Briefly Gorgeous (Penguin Press, 2019), begins as a letter: “Dear Ma, I am writing to reach you—even if each word I put down is one word further from where you are.” The letter unearths the family history of the narrator, from Vietnam to their lives in Connecticut as immigrants, capturing the deep love between a single mother and her son while asking questions that explore race, class, and masculinity. The novel is gripping from the first sentence with the inherent intimacy of the epistolary form bridging the distance between the speaker and the reader. Write a story in the form of a letter that speaks to a cherished guardian figure. Why is the letter the perfect form for what your protagonist wants to say?

Polish poet Adam Zagajewski, who died on March 21 at the age of seventy-five, was known for his intermingling of, as he once put it in an interview, the “historic world with the cosmic world that is static, or rather moves in a totally different rhythm.” The title of his poem “Mysticism for Beginners,” translated from the Polish by Clare Cavanagh, is taken from a book cover the speaker notices and then uses as an opportunity to describe his surroundings with a mystical sense of praise: “Suddenly I understood that the swallows / patrolling the streets of Montepulciano / with their shrill whistles” and “the white herons standing…like nuns in fields of rice” are only “mysticism for beginners, / the elementary course, prelude / to a test that’s been / postponed.” Write a poem “for beginners” about a concept that is explored through concrete, physical descriptions. Take a note from Zagajewski’s poem and start by writing down a list of images.