Agent Advice: Iwalani Kim of Sanford J. Greenburger Associates
The literary agent answers questions about submitting story collections, getting an agent’s attention, and querying two agents at the same agency.
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The literary agent answers questions about submitting story collections, getting an agent’s attention, and querying two agents at the same agency.
An excerpt from The Essential June Jordan, edited by Jan Heller Levi and Christoph Keller and published in May by Copper Canyon Press.
“There’s a sister who works so hard she never talks. / A sister who screams when she hears dogs bark.” Monica Sok reads “Sestina” from her debut poetry collection, A Nail the Evening Hangs On (Copper Canyon Press, 2020), for Women Warriors: A Solidarity Reading, presented by the Asian American Writers’ Workshop, which featured over forty Asian American women writers.
In an afterword to The Essential June Jordan, edited by Jan Heller Levi and Christoph Keller and forthcoming in May by Copper Canyon Press, Pulitzer Prize–winning poet Jericho Brown writes about how the legacy of June Jordan, who died in 2002, “allows another opportunity to think not only about what poems are, but also what poems can do.” In this definitive volume the celebrated poet’s voice shines as she explores difficult subject matter, such as racist police brutality and violence against women, with a commitment to global solidarity and radical kindness. She dedicates many of her poems to lovers and friends, along with historical and pop culture figures, including “1977: Poem for Mrs. Fannie Lou Hamer,” “Poem for Mark,” and “Poem on the Death of Princess Diana.” Taking inspiration from Jordan, write a poem that is dedicated to a single person. Consider using your new poem’s title to help frame a complicated subject.
The author of Martha Moody finds new strategies to sustain her creative life after suffering a head injury.
“I wanted to continue to participate in that tradition of hope-making in every single poem that I wrote,” says Amanda Gorman about frequently listening to Maya Angelou’s inaugural poem “On the Pulse of Morning” in this conversation with Oprah Winfrey for Apple TV Plus.
“I spent the first two years reworking the first twenty pages of this novel, over and over and over again,” says R. O. Kwon about writing her debut novel, The Incendiaries (Riverhead Books, 2018), in this 2018 Asian American Writers’ Workshop event with Alexander Chee. “I realized at the end of those two years that you can’t build a foundation if you don’t know what that house will look like,” says Kwon. “Am I building an opera house? Am I building a skyscraper?”
Pik-Shuen Fung’s Ghost Forest, forthcoming from One World on July 13, 2021.
“I was enamored with the notion that all I had to do to drive the sadness away, to have something to look forward to, was open a can of meadows,” writes Kathy Davis in her essay “There’s No Simple Way to Make it OK,” published in Guernica, in which she meditates on cultivating a meadow of wildflowers after the death of her parents. “But as the blooms started to fade, nothing I’d planted could ward off the midsummer takeover of weeds and wiregrass,” writes Davis. “Gardening, I was learning, is not easy. Like grief, it’s a process.” Write an essay about an activity, like gardening, that helped you come to terms with a difficult time in your life.
In this Books Are Magic video, authors Katherine Angel, Jo Ann Beard, Dantiel W. Moniz, and Jeannine Ouellette discuss the theme of desire for the Red Ink series, a quarterly series focused on women writers curated and moderated by Michele Filgate and cosponsored by Literary Hub.