Domenico Starnone

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“I believe that the best books aren’t those that entertain us. The best books are those that hurt us.” In this 2018 interview at the Louisiana Literature festival in Denmark, Italian writer Domenico Starnone talks about the pleasure and exhaustion of writing and refers to a letter Kafka wrote about the importance of writing books “that are like an axe that breaks the frozen chest.” Starnone’s novel Trust (Europa Editions, 2021), translated from the Italian by Jhumpa Lahiri, is featured in Page One in the November/December issue of Poets & Writers Magazine.

Famous Writers

10.28.21

In “Hanging Out With Joan Didion: What I Learned About Writing From an American Master” published on Literary Hub, Sara Davidson writes about her decades-long friendship with Didion and lists ten techniques and practices she learned from the iconic author. These tips include the advantages of writing in the first person singular, keeping a writing schedule, and controlling the information one gives to a reader. This week make a list of the technical tricks behind your favorite writer’s work, then write an essay that discusses the impact and influence of their style on yours.

Coffee & Conversations: Albert Samaha

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“I am a product of this country that I interrogate in this book,” says Albert Samaha, author of Concepcion: An Immigrant Family’s Fortunes (Riverhead Books, 2021), in this episode of Coffee & Conversations with Enrique Rosell, program manager at Florida International University’s Wolfsonian Public Humanities Lab. Samaha’s debut memoir is featured in Page One in the November/December issue of Poets & Writers Magazine.

Truly Scary Stories

10.27.21

Jezebel’s annual Scary Story contest invites readers to submit true, terrifying tales, some of which are animated into short films. With titles such as “Look at Me,” “911 Calling,” and “Keeping a Secret,” the red-and-black stark videos are perfect to watch as Halloween approaches, if you’re looking for some haunting inspiration. Check out some of the videos and try your hand at writing a scary story based on a real-life experience. Consider how to sustain suspense and incite fear in your readers.

Teresa K. Miller and Amanda Moore

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In this virtual poetry reading hosted by Annie Bloom’s Books, Teresa K. Miller reads from her new collection, Borderline Fortune (Penguin Books, 2021), and Amanda Moore reads from her debut collection, Requeening (Ecco, 2021), both winners of the 2020 National Poetry Series. Moore’s Requeening is featured in Page One in the November/December issue of Poets & Writers Magazine.

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The End of Poetry

10.26.21

“Enough of osseous and chickadee and sunflower / and snowshoes, maple and seeds,” writes Ada Limón in her poem “The End of Poetry.” “Enough sorrow, enough of the air and its ease, / I am asking you to touch me.” In this timely poem, Limón uses the repetition of “enough of” to list actions, objects, and experiences that might be considered poetic in order to emphasize what the speaker is willing to do away with for a moment of physical connection. Write a poem that articulates “the end of poetry” for you. What images and phrases would you consider poetic, and what would you want in return if you were to give it all away?

Vinod Busjeet

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Vinod Busjeet speaks about emigration versus immigration and how his debut novel, Silent Winds, Dry Seas (Doubleday, 2021), started out as a memoir in this virtual conversation with NYU Washington, DC lecturer Sydney Boyd. Busjeet is featured in “5 Over 50: 2021” in the November/December issue of Poets & Writers Magazine.

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