Watching Your Pet

11.10.21

“One night, while watching a friend’s dog, a thunderstorm came rolling over the city. He felt the change in the atmosphere; his tongue flopped out, eyes bulging,” writes Christopher Gonzalez in his Craft Capsule essay “Pet Sitting.” “With a belly brimming with bourbon, I Googled how to help a dog in crisis.” In the essay, Gonzalez recounts pet-sitting for friends and using the experience as inspiration for his short story “What You Missed While I Was Watching Your Cat.” Write a story in which the protagonist is watching a friend’s pet and things go horribly awry. What questions can you ask, as Gonzalez does, to help drive the narrative forward?

Rachel Yoder on Nightbitch

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“I love a story with an unreliable character where you’re not quite sure what’s going on. I really wanted to maintain that question and that tension throughout the book.” Rachel Yoder speaks about motherhood, publishing a book during the pandemic, and the writing process for her debut novel, Nightbitch (Doubleday, 2021), in this episode of A Mighty Blaze with Rachel Barenbaum.

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Angel

11.9.21

“Above my desk, whirring and self-important / (Though not much larger than a hummingbird), / In finely woven robes, school of Van Eyck / Hovers an evidently angelic visitor,” writes James Merrill in his poem “Angel.” The speaker in the poem is visited by an angel whose presence stirs up questions about the passive act of writing: “How can you sit there with your notebook? / What do you think you are doing?” This week, write a poem in which the speaker is visited by a watchful, otherworldly presence. Try, like Merrill, to be descriptive about the setting in order to set the mood.

Sophie Calle on Hotel Rooms

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“It was like a portrait of the room with different people using that room day after day.” In this video for the San Francisco Museum of Modern Art, artist and writer Sophie Calle speaks about her time working as a hotel maid and documenting her observations of guests for her book The Hotel (Siglio Press, 2021). Calle’s project is featured in “The Written Image: The Hotel” in the November/December issue of Poets & Writers Magazine.

Rachel Eliza Griffiths on Mule & Pear

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“I pulled down a book by Gayl Jones, Eva’s Man, and I sat down and didn’t get back up until I finished it—and I felt so haunted,” says Rachel Eliza Griffiths about what inspired her third poetry collection, Mule & Pear (New Issues Press, 2011), in this conversation at the 2013 Poets Forum for the Academy of American Poets.

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Word of the Year

11.4.21

The Oxford Languages word of the year for 2021 is vax. Every year, a team of expert lexicographers for the creator of the Oxford English Dictionary, debate candidates for word of the year and choose a winner “that is judged to reflect the ethos, mood, or preoccupations of that particular year and to have a lasting potential as a word of cultural significance.” Browse through their Word of the Year archive and write an essay about one of the winning words. How does that word correlate with your experience of that year?

Poets in Person: Robert Pinsky

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“The art of poetry for me is the art of composing a sequence of vowels, consonants, and sentence sounds that will seem moving, meaningful,” says former U.S. Poet Laureate Robert Pinsky in this 2014 episode of Cortland Review’s Poets in Person series, in which he discusses his beginnings as a poet and his philosophy behind writing.

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Day of the Dead

11.3.21

Day of the Dead is a two-day holiday that originated in Mexico, in which loved ones who have died are honored and celebrated. Consisting of a variety of traditions, including making ofrendas (altars with offerings for the deceased) and decorating the home with marigolds and skulls, this holiday allows for a time for the living and the dead to reunite through food, music, and dance. Write a story in which a character mourns and celebrates a loved one on Day of the Dead. Describe why their relationship is special and what memories bring them together.

Megan Culhane Galbraith

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“My adoption story didn’t come to me in any linear form and that’s always how they kind of want you to write memoir,” says Megan Culhane Galbraith about the hybrid structure of her debut memoir, The Guild of the Infant Saviour: An Adopted Child’s Memory Book (Mad Creek Books/Ohio State University Press, 2021), in this Left Banks Books interview with Rena J. Mosteirin. Galbraith is featured in “5 Over 50: 2021” in the November/December issue of Poets & Writers Magazine.

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