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“It’s about memory, and love, and friendship,” says Sandra Cisneros in this short video introducing her first work of fiction in nearly a decade, Martita, I Remember You (Vintage, 2021), a novel about three women who travel to Paris to fulfill their dreams. The book comes in a dual-language edition with a Spanish translation by Liliana Valenzuela.
“I come from the cracked hands of men who used / the smoldering ends of blunts to blow shotguns,” writes Reginald Dwayne Betts, recipient of a 2021 MacArthur “Genius” Fellowship, in his poem “Shahid Reads His Own Palm.” Betts uses anaphora to propel the narrative forward, describing the places that have shaped and haunted him with an incantatory rhythm: “I come from ‘Swann Road’ written in a child's / slanted block letters across a playground fence.” Write a poem about your origins that repeats the words, “I come from,” throughout it. Does the repetition conjure any surprising images?
“One morning, I decide to spin backwards around the sun, says Earth. / One step behind / another behind another, I watch the chipper dance / of human beings in reverse.” In this Ours Poetica video, Mike Birbiglia reads the poem “Earth (in reverse)” by J. Hope Stein from their book, The New One: Painfully True Stories From a Reluctant Dad (Grand Central Publishing, 2020).
Watch the trailer for Passing, a film written and directed by Rebecca Hall and starring Ruth Negga and Tessa Thompson, based on the celebrated 1929 novel of the same name by Nella Larsen, a key figure of the Harlem Renaissance and American modernism.
“Our cries are heard as noise, / our suffering considered / natural. Native citizens, / we are not free / to roam,” reads the late Kamilah Aisha Moon from her poem “The Emperor’s Deer” in this 2016 Define: BLACK video.
Catapult’s column “How’s the Writing Going?” by Sari Botton features writers in conversation about their process and what they’re working on, offering insight and tips for writer’s block and other challenges. The column focuses on the one question “no writer wants to be asked—but which every writer wants to ask others.” Write an essay about how your writing is going. Consider the question at large and answer it in terms of how your writing process has evolved over time. What have you learned along the way?
“When they did the first printing of Tinkers, I immediately went through and started changing it,” says Paul Harding about writing his Pulitzer Prize–winning novel, Tinkers (Bellevue Literary Press, 2009), in this 2011 interview about his writing process and learning from mentors at the Iowa Writers’ Workshop.
In an interview for the VS podcast with hosts Franny Choi and Danez Smith, poet Cyrée Jarelle Johnson discusses the appeal of poetic forms and his relationship to breaking them. “If the form is broken, it’s broken for a reason,” says Johnson. Write a short story in which the form of a traditional narrative is somehow broken. Whether by choosing an unexpected point of view, or by defying the conventions of a particular character’s archetype, challenge the expectations of the reader and break the form, as Johnson says, “for a reason.”
“It’s not all fun, you know, the usual terror of writing a book.” In this Waterstones interview, Colson Whitehead talks about his new novel, Harlem Shuffle (Doubleday, 2021), and how he gave himself permission to write a heist story. The novel is featured in Page One in the September/October issue of Poets & Writers Magazine.
In this 2021 National Book Festival virtual event, Patricia Engel, author of Infinite Country (Avid Reader Press, 2021), and Rivka Galchen, author of Everyone Knows Your Mother Is a Witch (Farrar, Straus and Giroux, 2021), speak about their books with Kevin Larimer, editor in chief of Poets & Writers.
