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“Alzheimer’s patients sing every lyric to their favorite songs, / and this casual act becomes a dance with defiance.” In this video, Theresa Lola reads “Sing With Me and Do Not Die of Thirst” from her debut poetry collection, In Search of Equilibrium (Nine Arches Press, 2019), for Ours Poetica, a series produced by the Poetry Foundation in collaboration with Complexly.
Celebrate the arrival of spring by applying to contests with a deadline of March 31. With many of these awards being offered to writers in multiple genres, there are ample opportunities for poets, fiction writers, and nonfiction writers alike. All contests offer a cash prize of $1,000 or more and two charge no entry fee. Dig in!
A Public Space Writing Fellowships: Three six-month fellowships of $1,000 each are given annually to emerging fiction and nonfiction writers who have not published a full-length book. The fellows will work with the editors to prepare a piece for publication in A Public Space and will also have the opportunity to meet with publishing professionals and participate in a public reading. Entry fee: None.
Arts & Letters Prizes: Three prizes of $1,000 each and publication in Arts & Letters are given annually for a group of poems, a short story, and an essay. Allison Joseph will judge in poetry, Andrew Porter will judge in fiction, and Gayle Brandeis will judge in nonfiction. All entries are considered for publication. Entry fee: $20.
Black Lawrence Press Hudson Prize: A prize of $1,000, publication by Black Lawrence Press, and 10 author copies is given annually for a collection of poems or short stories. The editors will judge. Entry fee: $27.
Fish Publishing Poetry Prize: A prize of €1,000 (approximately $1,129) and publication in the Fish Publishing anthology is given annually for a single poem. The winner is also invited to read at the anthology launch event at the West Cork Literary Festival in July. Billy Collins will judge. All entries are considered for publication. Entry fee: €14 (approximately $16) for online entries or €16 (approximately $18) for postal entries.
Four Way Books Levis Prize in Poetry: A prize of $1,000 and publication by Four Way Books is given annually for a poetry collection. The winner will also be invited to participate in readings either virtually or in-person in New York City, as public health guidelines allow. Jericho Brown will judge. Entry fee: $30.
Indiana Review Poetry and Fiction Prizes: Two prizes of $1,000 each and publication in Indiana Review are given annually for a poem and a story. Entry fee: $20 (which includes a subscription to Indiana Review).
Narrative Winter Story Contest: A prize of $2,500 and publication in Narrative is given annually for a short story, a short short story, an essay, or an excerpt from a longer work of fiction or creative nonfiction. A second-place prize of $1,000 is also awarded. The editors will judge. All entries are considered for publication. Entry fee: $27.
Press 53 Prime Number Magazine Awards: Two prizes of $1,000 each and publication in Prime Number Magazine are given annually for a poem and a short story. Faith Shearin will judge in poetry and Jubal Tiner will judge in fiction. Entry fee: $15.
Restless Books Prize for New Immigrant Writing: A prize of $10,000 and publication by Restless Books is given in alternating years for a debut book of fiction or nonfiction by a first-generation immigrant. The 2022 prize will be given in fiction. Writers who have not published a book of fiction in English are eligible. Entry fee: None.
Trustees of the Robert Frost Farm Prize: A prize of $1,000 is given annually for a poem written in metrical verse. The winner also receives a scholarship to attend and give a reading at the Frost Farm Poetry Conference in Derry, New Hampshire, in June. Allison Joseph will judge. Entry fee: $6 per poem.
Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.
“With regard to war, I can’t help being suspicious of the very reasons we turn to poetry at all,” reads Paisley Rekdal from “Beyond Empathy, Beyond the Archive: Notes on Poetic Representation” for the 2022 Blaney Lecture, an annual lecture on contemporary poetry and poetics created by the Academy of American Poets. “Is our desire one of representation, political change, or emotional catharsis? And is that political change meant to happen on the page, or off it?”
“The coyotes are on the beach / vacuuming tonight’s terrible light with their eyes,” reads Natalie Diaz from her poem “Colony” in this virtual reading and conversation for the Boudreaux Visiting Writer Series at the University of Southern California.
In this Astra House virtual event cohosted by Book Culture, Aaiún Nin speaks about their debut poetry collection, Broken Halves of a Milky Sun (Astra House, 2022), with Nana Darkoa Sekyiamah, author of The Sex Lives of African Women: Self-Discovery, Freedom, and Healing (Astra House, 2022). Nin’s book is featured in Page One in the March/April issue of Poets & Writers Magazine.
“Poets are supposed to avoid clichés—bits of language so hackneyed as to seem drained of meaning—but I’m fascinated by what hyper-familiar turns of phrase can reveal and conceal,” writes Hannah Aizenman about her poem “As a Father of Daughters,” published in the Academy of American Poets’ Poem-a-Day series. The poem uses the phrase in the title as a jumping-off point for a seemingly associative list that hinges on the levity of rhyme and continues to reveal more about the original phrase. “As a failure of rathers / As a faithful support / As we gather together / As a fear of disorder,” writes Aizenman. Write a poem inspired by a common phrase or idiom that challenges its meaning. What will be revealed or concealed?
“I still believe that we listen more closely to a whisper than to a shout.” In this PBS NewsHour interview with Jeffrey Brown, Pulitzer Prize–winning poet Rita Dove speaks about history, rage, the power of poetry, and her latest collection, Playlist for the Apocalypse (Norton, 2021).
Submissions are open for the National Endowment for the Arts Creative Writing Fellowships. Given in alternating years to prose writers and poets, in 2022 the NEA is accepting applications in poetry. Grantees will receive $25,000 each to “enable the recipients to set aside time for writing, research, travel, and general career advancement.” Writers who are citizens or permanent residents of the U.S., and who have published a poetry collection of at least 48 pages, or 20 or more individual poems or pages of poetry over the last seven years are eligible to apply.
Using only the online submission system, submit a completed application, which includes a brief project description, seven to ten pages of poetry, and a list of publications, by March 10. There is no entry fee. Visit the website for complete guidelines.
Through this fellowship program the NEA “seeks to sustain and nurture a diverse range of creative writers at various stages of their careers and to continue to expand the portfolio of American art.” Applicants can expect to receive a notification on the final status of their applications by December, at the earliest. Fellowship recipients will start to receive financial support for their literary projects between January 1, 2023, and January 1, 2024, and may have this support extended for up to two years. Recent creative writing fellows include prose writers Steve Almond, Marci Calabretta Cancio-Bello, Melissa Febos, Tope Folarin, Kelli Jo Ford, Shruti Swamy, and Laura van den Berg, and poets Threa Almontaser, Oliver Baez Bendorf, Kayleb Rae Candrilli, Leila Chatti, Oliver de la Paz, Diana Khoi Nguyen, and Valencia Robin. Through this fellowship program the NEA “seeks to sustain and nurture a diverse range of creative writers at various stages of their careers and to continue to expand the portfolio of American art.” Applicants can expect to receive a notification on the final status of their applications by December, at the earliest. Fellowship recipients will start to receive financial support for their literary projects between January 1, 2023, and January 1, 2024, and may have this support extended for up to two years. Recent creative writing fellows include prose writers Steve Almond, Marci Calabretta Cancio-Bello, Melissa Febos, Tope Folarin, Kelli Jo Ford, Shruti Swamy, and Laura van den Berg, and poets Threa Almontaser, Oliver Baez Bendorf, Kayleb Rae Candrilli, Leila Chatti, Oliver de la Paz, Diana Khoi Nguyen, and Valencia Robin.
“Quiet thinking is like a current in the sea and moves freely until it’s disturbed by its own voice, and then it becomes a music each individual sings when speaking. This is what we hear when we hear Ilya read,” says poet Fanny Howe introducing Ilya Kaminsky at this 2018 reading of his poetry collection Deaf Republic (Graywolf Press, 2019) at Harvard University’s Woodberry Poetry Room.
In this virtual discussion, poet, novelist, and playwright Fred D’Aguiar speaks with Daljit Nagra, chair of the Royal Society of Literature, about their shared experience of breaking ground in the poetry landscape and their favorite poets, as well as D’Aguiar’s book Year of Plagues: A Memoir of 2020 (Harper, 2021).
