Small Press Points: Black Ocean
Established in 2004, the indie press strives to treat poetry as a genre with “frontlist potential” while also publishing fiction, nonfiction, and literature in translation from new voices.
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Genre: Not Genre-Specific
The Power of the PERIPLUS Collective
The PERIPLUS collective aims to democratize writing and publishing by matching emerging BIPOC writers with established authors and publishing professionals for yearlong mentorships.
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Words Matter: Copyediting as a Process for (or Against) Social Change
Copy editors are adapting to increasing cultural awareness of racial injustice and new approaches to representing identity on the page. How can their work can help or hinder social change?
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Saddle Up and Read
To foster a love of reading among kids in North Carolina, Caitlin Gooch started a program through which children can read books to horses.
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Agent Advice: Iwalani Kim of Sanford J. Greenburger Associates
The literary agent answers questions about submitting story collections, getting an agent’s attention, and querying two agents at the same agency.
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Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Second Place by Rachel Cusk and The Renunciations by Donika Kelly.
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Q&A: Ehrlich Speaks to Mother-Writers
Lara Ehrlich, the host of the podcast Writer Mother Monster, debunks the superwoman myth and considers how to balance writing and motherhood.
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Twelve Pieces of Advice for Mother-Writers
Author Lara Ehrlich, the host of Writer Mother Monster, shares a selection of the best insights and advice offered on the podcast.
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Reviewers & Critics: Jennifer Szalai of the New York Times
The critic on how she began writing reviews, how she and the Times staff pick books to cover, and how social media affects her work.
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A Decade of Women Who Submit
Ten years after its first meeting, Women Who Submit has grown to a global community that continues to empower women and nonbinary writers to seek publication.
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