Alamgir Hashmi

Publications and Prizes

A Choice of Hashmi's Verse
(Oxford University Press, 1997)
, An Old Chair
(Xenia Press, 1979)
, My Second in Kentucky
(Vision Press, 1981)
, Neither This Time / Nor That Place
(Vision Press, 1984)
, This Time in Lahore: New Poems
(Vision Press, 1983)
& Words: Poems Singapore and Beyond
(Ethos Books, 2010)
, 70 on the 70's: A Decade's History in Verse
(Ashland Poetry Press, 1981)
, Afternoon (Ten to Six)
(Water Row Press, 2001)
, Anthology of Magazine Verse and Yearbook of American Poetry 1986-1988
(Monitor Book Company, 1988)
, Battle Runes
(Editions Bibliotekos, Inc., 2011)
, Epistolary Form and the Letter as Artifact
(Pig Iron Press, 1991)
, In the Silence of This Room
(Grey Sparrow Press, 2009)
, Language for a New Century
(W. W. Norton & Company, 2008)
, Light Year '86
(Bits Press, 1995)
, Literary Olympians 1992
(Ford-Brown, 1992)
, No, Achilles: War Poems
(WaterWood Press, 2015)
, Only The See Keeps
(Bayeux Arts, 2005)
, Sightings
(Folio Press, 1995)
, Soundings
(Lake Shore Publishing, 1985)
, The Poetry of Men's Lives
(University of Georgia Press, 2004)
, The Table Is Laid
(Oxford University Press, 2006)
, Third World
(Pig Iron Press, 1988)
, This Same Sky
(Four Winds Press, 1992)
, Three Poets
(Shakespeare & Company, 1979)
, Voices of the Quill
(Johnston Green Publishing, 1987)
A Different Drummer, Akros, Ally, Arena , Ariel, Aries, Aspect, Australian Book Review, Berkeley Poetry Review, Black Willow, Blueline, Boston Literary Review, Bridge, California Quarterly, Canto, Capilano Review, Centerpoint, Chelsea, Chicago Review, Cincinnati Poetry Review, Circus Maximus, Confrontation, Connecticut Quarterly, Connecticut River Review, Contemporary Review, Coppertales, Cordite Poetry Review, Crosscurrent, Crossways, D. H. Lawrence Review, Dekalb Literary Arts Journal, Dirty Goat, Edinburgh Review, Epiphany, Explorations, Fine Line, Florida English, Frank, Fulcrum, Gander Press Review, Graffiti, Grasslimb, Green River Review, Greenfield Review, Grey Sparrow Journal, Gryphon, Harvest, Harvest International, Helix, Honest Ulsterman, Image, Index on Censorship, James Joyce Broadsheet, Kestrel, Kudos, Kunapip: Journal of Post Colonial Writing, Landfall, Los Angeles Review, Lotus, Louisville Review, Maintenant, Maize, Mattoid, Meanjin, Minnetonka Review, Miscellany, Mochila Review, Modern Images, Modern Poetry Studies, Natural Bridge, Naugatuck River Review, Nethula Journal, New Letters, New Mexico Humanities Review, New Statesman, Obsessed With Pipework, Off the Coast, Omens, Orbis, Origins, Oxford Poetry, Pacific Quarterly Moana, Pangloss Papers, Paris Voices, Pavement, PEN International, Permafrost, Pig Iron, Poet Lore, Poetry Australia, Poetry International, Poetry Monthly, Poetry New Zealand, Poetry Nottingham, Poetry Review, Poetry Salzburg Review, Portland Review, Postmodern Culture, Prairie Schooner, Private, Prophetic Voices, Pulse, REAL: Regarding Arts & Letters, River City Review, River Poets Journal, Saint Katherine Review, Salamander, San Pedro River Review, Screever, Seam, Seneca Review, Solidarity, South, Span, Spondee, Stardancer, Studies in Poetry, Sugar Mule, Telescope, Terra Poetica, The Australian - Review, Brooklyn Rail, Cape Rock, Conium Review, The Dalhousie Review, The Indianapolis Journal, The Liberal and Fine Arts Review, The Literary Review, The Maine Review, The Manchester Review, The Milo Review, The Miscellany, The New Quarterly, The New Writer, The Rialto, The Spoon River Poetry Review, The Taylor Trust: Poetry & Prose, The Thinker, The Toronto Review, The Urbane Gorilla, Tower Poetry, Trends, Up The River, Valley Micropress, Vallum, Van Gogh's Ear, Visions, Visions International, Wasafiri, Wascana Review, Washington Review, Water~Stone Review, West Branch, Westerly, Wilderness House Literary Review, Word Loom, World Literature Today, Xanadu, Zone

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Last updated: Aug 17, 2018