Genre: Poetry

Dreaming Gold

In the introduction to an issue of Ploughshares edited by the late poet Jean Valentine, who died in December, she says: “My dreams were very important to me right in the beginning. I had a teacher in college who said ‘You could write from your dreams’ and that was like being given a bag full of gold.” Inspired by Valentine and her award-winning first collection, Dream Barker, write a poem that begins with an image from one of your dreams. Allow the internal logic of dreams to guide your lines.

Poetry in the Age of Technology With Tracy K. Smith

Caption: 

“One of the women greeted me. / I love you, she said. She didn’t / Know me, but I believed her, / And a terrible new ache / Rolled over in my chest,” reads Tracy K. Smith from her poem “Wade in the Water” in this 2018 Library of Congress event with Ron Charles, book critic of the Washington Post. Smith is featured in a profile by Renée H. Shea in the March/April 2015 issue of Poets & Writers Magazine.

Genre: 

Upcoming Contest Deadlines

Resolving to carve out more time for your creative practice in 2021? Ring in the new year by submitting to writing contests. With deadlines of either January 14 or January 15, these awards include two residencies earmarked for Texas writers, as well as an opportunity for a nonfiction writer to spend creative time in a desert environment. All offer a cash prize of $500 or more.

Asheville Poetry Review William Matthews Poetry Prize: A prize of $1,000 and publication in Asheville Poetry Review is given annually for a single poem. The winner is also invited to give a reading at Malaprop’s Bookstore in Asheville, North Carolina. Quincy Troupe will judge. All entries are considered for publication. Deadline: January 15. Entry fee: $20.

Australian Book Review Calibre Essay Prize: A prize of $5,000 AUD (approximately $3,807) is given annually for an essay. A second-place prize of $2,500 AUD (approximately $1,903) will also be given. The winners will be published in Australian Book Review. Sheila Fitzpatrick, Billy Griffiths, and Peter Rose will judge. Deadline: January 15. Entry fee: $25 AUD (approximately $19).

Autumn House Press Rising Writer Prizes: Two prizes of $500 each and publication by Autumn House Press will be given annually for a debut poetry collection and a debut book of fiction by writers who are 36 years old or younger. The winners will each also receive a $500 grant for travel and book promotion. Matthew Dickman will judge in poetry and Maryse Meijer will judge in fiction. All finalists will be considered for publication. Deadline: January 15. Entry fee: $25.

Burnside Review Press Book Award: A prize of $1,000, publication by Burnside Review Press, and 10 author copies is given annually for a poetry collection. Jennifer Chang will judge. Deadline: January 15. Entry fee: $25 (includes one title from the press’s catalogue).

Colorado Review Colorado Prize for Poetry: A prize of $2,000 and publication by the Center for Literary Publishing is given annually for a poetry collection. Sherwin Bitsui will judge. Deadline: January 14. Entry fee: $28 (includes subscription).

Ellen Meloy Fund Desert Writers Award: A prize of $5,000 is given annually to enable a creative nonfiction writer “whose work reflects the spirit and passions for the desert embodied in Ellen Meloy’s writing” to spend creative time in a desert environment. Deadline: January 15. Entry fee: $15.

French-American Foundation Translation Prizes: Two prizes of $10,000 each are given annually for translations from French into English of a book of fiction and a book of nonfiction (including creative nonfiction) published during the previous year. A jury of translators and literary professionals will judge. Deadline: January 15. Entry fee: none.

New American Press Poetry Prize: A prize of $1,500, publication by New American Press, and 25 author copies is given annually for a poetry collection. Quan Barry will judge. Deadline: January 15. Entry fee: $20.

North Carolina Writers’ Network Rose Post Creative Nonfiction Competition: A prize of $1,000 is given annually for an essay “that is outside the realm of conventional journalism and has relevance to North Carolinians.” The winning essay will also be considered for publication in Ecotone. Destiny O. Birdsong will judge. Deadline: January 15. Entry fee: $12 ($10 for NCWN members).

Poetry Society of Virginia North American Book Award: A prize of $1,000 will be given annually for a book of poetry published during the previous year. The winner will be invited to read at the spring festival of Poetry Society of Virginia in May 2021. Self-published books and books that have previously received any other awards are ineligible. Luisa Igloria will judge. Deadline: January 15. Entry fee: $35 ($25 for Poetry Society of Virginia members).

University of Texas Dobie Paisano Fellowships: Two residencies, cosponsored by the Texas Institute of Letters, at a rural retreat west of Austin are given annually to writers who are native Texans, who have lived in Texas for at least three years, or who have published significant work with a Texas subject. The six-month Jesse H. Jones Writing Fellowship is given to a writer in any stage of their career and includes a grant of $18,000. The four-month Ralph A. Johnston Memorial Fellowship is given to a writer who has demonstrated “publishing and critical success” and includes a grant of $24,000. Deadline: January 15. Entry fee: $20 ($30 to enter both competitions).

Visit the contest websites for complete guidelines, and check out the Grants & Awards database and Submission Calendar for more contests in poetry, fiction, and creative nonfiction.

Anne Marie Macari Reads for P.O.P.

Caption: 

“Restless, I want to return and stand at the mouth where wild fig trees grow,” reads Anne Marie Macari in this installment of the P.O.P. series, shot and edited by Rachel Eliza Griffiths in partnership with the Academy of American Poets. Macari’s poetry collection Heaven Beneath (Persea Books, 2020) is featured in Page One in the January/February issue of Poets & Writers Magazine.

Genre: 

Writers on the Moon

Caption: 

“That’s the moon—it’s the ghost of the sun wandering the sky at night,” says Daniel Kehlmann. In this video from Louisiana Channel, Kehlmann and fellow writers CAConrad, Georgi Gospodinov, Guadalupe Nettel, Delphine de Vigan, and Yoko Tawada discuss the moon’s mysterious presence and why writers are drawn to it as we watch visuals of the moon captured by NASA paired with Claude Debussy’s “Clair de Lune.”

Commencement

12.29.20

“Young walruses, we must all adapt!” begins Matthew Olzmann’s “Commencement Speech, Delivered to a Herd of Walrus Calves,” published in Four Way Review. In the poem, as the title reveals, a speaker offers advice to a herd of walruses on courage, evolution, and survival: “You need to train yourself to do what they won’t expect.” Write a poem in the form of a speech addressed to a group of animals or objects that offers advice and encouragement for challenges only the subject could encounter. Try to use the title, as Olzmann does, to set the scene and the tone for the poem.

Rio Grande Valley Litany

Caption: 

“Not the wealth of the thousand / Not the segregated place / Not the segregated classroom, the segregated desk,” reads Rodney Gomez from his poem “Rio Grande Valley Litany” at this 2017 reading for the Poets Against Border Walls Collective in Hidalgo, Texas. Gomez’s poetry collection Arsenal With Praise Song (Orison Books, 2021) is featured in Page One in the January/February issue of Poets & Writers Magazine.

Genre: 

Red

12.22.20

Mars Being Red” by the late poet Marvin Bell lyrically explores the color red as a state of being, likening it to a list of images that both physically resemble the color and provide memories, such as that of youth. In this compact, twelve-line poem, Bell begins what seems to be a portrait of the planet Mars and then delves into a series of digressions that find resolve in a meditation on the possibility of change: “You will not be this quick-to-redden / forever. You will be green again, again and again.” Inspired by Bell, write a poem that serves as a portrait of a color. Use physical descriptions to begin and then personal memories to develop a transformation in this study of hue.

Pages

Subscribe to Poetry