Ten Questions for Rachel Trousdale

“I was playing, trying to make something I liked, something no one else had already made for me.” —Rachel Trousdale, author of Five-Paragraph Essay on the Body-Mind Problem
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“I was playing, trying to make something I liked, something no one else had already made for me.” —Rachel Trousdale, author of Five-Paragraph Essay on the Body-Mind Problem
Over the course of Rita Dove’s three-stanza prose poem “Prose in a Small Space,” the speaker meanders through a sequence of questions, observations, and digressions, periodically returning to the functionality of the prose poem form itself. “Prose likes to hear itself talk; prose is development and denouement, anticipation hovering near the canapés, lust rampant in the antipasta,” writes Dove. This week, forgo the options of line breaks and nonstandard grammar of more conventional poetry, and compose a series of short prose poems that take greater advantage of other poetry elements—rhythm, prosody, diction, pacing, and sensory details. Allow your prose to “hear itself talk,” develop, and conclude.
Can a poem calm the nerves? Whether it’s reading, listening to music, meditating, taking a walk, or observing the natural environment, consider the activities and sensory experiences that bring you some peace of mind. Compose a poem with diction, rhythm, imagery, and sentiments that evoke a state of tranquility. You might prepare by initially jotting down a list of words, phrases, and tidbits of sensory details, including specific sounds and types of words that align with your serene tone. Be open and allow yourself to be honest—and even playful—about what calms you down.
In this 2024 Writers on Writing event hosted by the Newberry Library and StoryStudio Chicago, Hanif Abdurraqib and Eve L. Ewing discuss their literary careers, the craft of writing, and how they tackle the complexities of art and activism.
“This isn’t writer-stuff, it’s life-stuff that bears on the poems.” —Lesley Wheeler, author of Mycocosmic
Australian author Gerald Murnane talks about being drawn to the “bewildering and at the same time satisfying feeling” of getting lost in familiar places in an interview in the Winter 2024 issue of the Paris Review. “I can very readily get myself lost in strange country towns or on back roads,” Murnane says, “knowing all the time where I am, that there’s no threat to my safety, that I can navigate myself home eventually.” Write a poem that explores the state of being lost, whether from a memory of a childhood incident, visiting a town, walking a new route, or perhaps from simply feeling lost in a chaotic or difficult situation. Amidst the bewilderment, are you able to find something you enjoy about being lost?
In this 2017 Asian American Writers’ Workshop event, Esther Lin reads her poem “I See Her Best,” which appears in her debut collection, Cold Thief Place (Alice James Books, 2025). Lin’s book is featured in Page One in the March/April issue of Poets & Writers Magazine.
According to the Oxford English Corpus, a text corpus of twenty-first-century English with over two billion words collected from online and print sources produced by Anglophone countries, time, person, year, way, and day are the top five most common nouns in the English language. Browse through lists of the most common words, whether nouns, verbs, adjectives, prepositions, pronouns, or articles. Instead of making use of unusual language, write a poem that revolves around playing with the most common ones. Experiment with how you might be able to manipulate unconventional repetition, syntax, spacing, or grammar to express fresh and unexpected meanings.
“I had many beginnings and several endings, and I tried to arrange the poems in a way that might ask why that was.” —Austin Araujo, author of At the Park on the Edge of the Country
In this event hosted by the Boutelle-Day Poetry Center at Smith College, Evie Shockley reads a selection of new poems, as well as some from her latest poetry collection, suddenly we (Wesleyan University Press, 2023), and discusses her vision for solidarity in these times in a conversation with Yona Harvey.