Stay Weird and Keep Writing Print Co is a non-profit, Independent publishing company. It is connected to the Facebook group "Notes From the Edge". Stay Weird and Keep Writing is about writing & celebrating life, as well as supporting each other to become better writers.It is the proper place to let loose your Freak Flag and your own unique Weirdness through writing. This site is a work in progress. Stay Weird & Keep Writing!!
The issues are cohesive; the whole of the magazine is comprehensive.
Submit anything, from new to almost-forgotten, previously published if noted in an email, or rejected for whatever reason from other venues. I do work with talented writers if a theme or plot or character can be drawn out and refined for publication in Wood Coin. The magazine is uncensored as of January 2018, yet extreme literary or artistic stunts need to coincide with US obscenity laws.
With help from the Lannan Foundation, one of America’s most prestigious poetry prizes has survived the threat of shutting its doors, instead increasing its monetary award tenfold.
Nobel prize-winning poet Wislawa Szymborska, as well as Surrealist artist and poet Dorothea Tanning, passed away yesterday in their respective countries; novelist Paul Auster has engaged in a war of words with Tayyip Erdogan, the prime minister of Turkey; Open Letters Monthly examines the hidden life of Virginia Woolf's institutionalized half-sister, Laura Makepeace Stephen; and other news.
Irish Pages is a biannual journal, edited in Belfast and publishing, in equal measure, writing from Ireland and overseas. Its policy is to publish poetry, short fiction, essays, creative nonfiction, memoir, essay reviews, nature-writing, translated work, literary journalism, and other autobiographical, historical, religious and scientific writing of literary distinction.
Please do read the journal before submitting.
Please do not send standard reviews or narrowly academic articles.
The appearance of Karen Volkman's first book of poems, Crash's Law, selected for the National Poetry Series in 1995 and published by Norton the following year, signaled the arrival of a startling and canorous voice in American poetry. In the introduction to the book, series judge Heather McHugh called Volkman "an analyst of love," and remarked that the book "bespeaks a mind attuned no less to the accidents than to the orders of a sensual life."
The short story collection Dreams of a Robot Dancing Bee, to be published later this month by Verse Press-the nonprofit literary publisher that also publishes the triannual literary poetry journal Verse-represents a significant shift in focus for poet James Tate. The author of numerous books of poetry, including Worshipful Company of Fletchers (Ecco Press), which won a National Book Award in 1997, and his Pulitzer Prize-winning Selected Poems (1991), Tate has tackled a new genre, as well as a new way of thinking about writing.