Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Welcome Me to the Kingdom by Mai Nardone and Feast by Ina Cariño.
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From the Magazine
The Anthologist: A Compendium of Uncommon Collections
A look at three new anthologies, including A Darker Wilderness: Black Nature Writing From Soil to Stars and Infinite Constellations: An Anthology of Identity, Culture, and Speculative Conjunctions.
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Q&A: Abdurraqib Edits for Tin House
MacArthur Fellow Hanif Abdurraqib talks about his new position at the independent press, the relationship between writer and editor, and the abundant talents of the Black literary community.
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Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Second Place by Rachel Cusk and The Renunciations by Donika Kelly.
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Ten Questions for Jo Ann Beard
“Eventually, like a banner, the imagination unfurls itself.” —Jo Ann Beard, author of Festival Days
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Page One: Where New and Noteworthy Books Begin
The first lines of a dozen noteworthy books, including Libertie by Kaitlyn Greenidge and Festival Days by Jo Ann Beard.
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Inferno: A Memoir of Motherhood and Madness by Catherine Cho
Catherine Cho reads from her memoir, Inferno: A Memoir of Motherhood and Madness, published in August 2020 by Henry Holt.
World of Wonders: An Interview With Aimee Nezhukumatathil
In her new essay collection, World of Wonders, poet Aimee Nezhukumatathil turns her creative powers of attention, play, openness, and love to a world of magic and imagination outdoors.
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Page One: Where New and Noteworthy Books Begin
The first lines of twelve noteworthy books, including Just Us: An American Conversation by Claudia Rankine and Transcendent Kingdom by Yaa Gyasi.
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Craft Capsule: Breaking Genre
The author of This Is One Way to Dance resists genre limitations and seeks her own unique form.
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