The often playful process of writer-artist collaboration is explored through a close examination of the book Alphabetique: 26 Characteristic Fictions by poet Molly Peacock and visual artist Kara Kosaka.
From the Magazine
A useful skill for one’s writing practice is the ability to write badly. A poet explains how allowing ourselves to write badly is not only generative, but can also break the habit of self-censorship and can lead to our best work.
Austria’s fifty-two-letter word of the year; fiction inspired by real works of art; Minnesota health clinic incorporates poetry classes into wellness programs; and other news.
NaNoWriMo advice; contemporary novelists on recreating the the 1980s; Murakami on embracing one’s inner darkness; and other news.
Witches as bodily translations of fear; Fanny Howe on religion and race; a tour of Marlon James’s Minneapolis loft; and other news.
A poet reflects on how working as a farmhand in the Berkshires provided the foundation for her new book, Work & Days, an investigation of the rich and ancient intersection between the agricultural and literary callings.
Compose a trio of sensory poems, channel your inner Dickens, or reflect on the relationship between courage and generosity—three prompts to kindle your creativity during the holiday season.
On New Yorker poetry; serial publication and the collaborative writing process; Lena Dunham named spokesperson for Indies First; and other news.
The writing workshop model presents a certain degree of risk—sharing artistic work inherently involves becoming vulnerable to critique and potential emotional fallout. Perhaps none experience this risk more than creative nonfiction writers, whose memoirs and essays are often deeply personal. Here, two writing workshop facilitators offer a set of guidelines for developing a safe, respectful workshop environment.
Tasked with developing teaching philosophy, an award-winning author of more than twenty-five books looks back on his years of teaching, and reflects on what makes an effective writing teacher.