We seek concise, evocative writing without regard to any particular school of poetry or fiction. Visit our archives for an idea of editorial focus. Successful writers are prolific readers.

Dare to push yourself in new ways. We want beautifully crafted, risky, previously unpublished non-fiction narratives: reflective essays, reportage, experimental truth-telling, poetry, prose poetry, photo essays, original artwork, and interviews (query first). Memoirs should be about more than "me"--offer insight into cultural phenomena, etc. We CRAVE reportage and researched essays, but no academic bluster, please! Think NPR. Think New Yorker. Think Broad Street. And please read a copy to be sure you write what we publish.
Each issue has a theme broadly applied; we appreciate fresh approaches. Follow directions on our online submissions page.
We give each piece painstaking editorial attention that rivals that of any book publisher.
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We seek writing in English or translated into English that is strong, well-crafted and reflects the pace and transition of our times. Based out of India, we view writing with a connection to the subcontinent with particular interest but are open to submissions from around the world. We would like to get submission for : Poetry English Literature Literature written in other languages Indian Writings in English Colonial and Postcolonial Literature Cultural Studies Aesthetic Studies Critical theories Literature and Environment Visual Arts Photography Digital Arts Philosophy and Art History of Art

* We're keeping up our open policy of accepting work without regard to ethnicity/nationality. * Writing that touches on the topics of diaspora, location, identity: intersections of culture/language/sex/gender, movement/immigration; grief, emotion, trauma in relation to the aforementioned topics. * Interesting and vivid language, narrative voice, style, multi-layered, poetics.