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Bill Gates shares his annual summer reading list, which includes Walter Isaacson’s biography Leonardo da Vinci (Simon & Schuster, 2017) and George Saunders’s novel, Lincoln in the Bardo (Random House, 2017).
“I didn’t have a chance / to say a word before you became / a character in the news...” Khaled Hosseini, Rita Dove, Philip Gourevitch, and Siri Hustvedt read Liu Xia’s poem “June 2nd, 1989” from Empty Chairs (Graywolf Press, 2015), translated from the Chinese by Ming Di and Jennifer Stern. PEN America and Amnesty International collaborated on the video series as a call to free Liu Xia from house arrest in Beijing, where she has been held since her late husband, Nobel Peace Prize laureate Liu Xiaobo, was imprisoned in 2009.
“The main advice I would have is to be really easy on yourself, to shut off as much as you can the voice that’s saying maybe you’re wasting your time, and maybe everything that you do is stupid.” Elif Batuman, a finalist for the 2018 Pulitzer Prize for her debut novel, The Idiot (Penguin Press, 2017), talks to Granta about the literary model of Charles M. Schulz’s Snoopy and the blurred boundary between fiction and nonfiction.
“I think something like garage or grime or rap, hip-hop, appeals to me because they’re very metrical, rhyme-based forms.” Zambian British poet Kayo Chingonyi talks about his path to poetry, his interests and influences, and internationalism and Anglophone literature for Writers’ Centre Norwich. Chingonyi won the 2018 International Dylan Thomas Prize for his debut poetry collection, Kumukanda (Chatto & Windus, 2017).
On Chesil Beach is a film adaptation of a 2007 novel by Ian McEwan, who also wrote the screenplay. Directed by Dominic Cooke, the movie explores the relationship of a young couple, played by Saoirse Ronan and Billy Howle, on the day they are wed.
“It sings, it bubbles…it would enrich anybody’s life to read it.” Tim Martin and the panel of judges for the 2018 Man Booker International Prize discuss and praise this year’s winner, Flights (Fitzcarraldo Editions, 2017) by Olga Tokarczuk, translated from the Polish by Jennifer Croft. Tokarczuk is the first Polish writer to win the Man Booker International Prize.
“It’s going to be the first thing someone lays their eyes on before they read it.” Jaya Miceli, art director at Scribner, discusses her love of books covers and how the jacket designs were created for several popular novels, such as Rachel Lyon’s Self-Portrait With Boy and Jesmyn Ward’s Sing, Unburied Sing.
“I’d like us not to be resigned but to be rebellious—I want to see science fiction step over the old walls and head right into the next wall and start to break it down too.” Worlds of Ursula K. Le Guin is a crowdfunded documentary directed by Arwen Curry, who was able to collaborate with the late author before her death. The film features interviews with Le Guin, as well as authors including Margaret Atwood, Michael Chabon, Neil Gaiman, and Theodora Goss.
“Sometimes I’ll write for two weeks straight and not write for six months….” Sheila Heti, author of the novel Motherhood (Henry Holt, 2018), talks about her lack of a writing routine and the benefits of letting feelings, ideas, and energy build up and become more complex.
Luljeta Lleshanaku reads from her collection Haywire: New & Selected Poems (Bloodaxe Books, 2011) in English translation and in the original Albanian, and talks about how history, politics, and religion have informed her writing. Lleshanaku’s new collection, Negative Space (New Directions, 2018), translated from the Albanian by Ani Gjika, is featured in Page One in the May/June issue of Poets & Writers Magazine.
