Theater video tags: 2018

Luljeta Lleshanaku

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Luljeta Lleshanaku reads from her collection Haywire: New & Selected Poems (Bloodaxe Books, 2011) in English translation and in the original Albanian, and talks about how history, politics, and religion have informed her writing. Lleshanaku’s new collection, Negative Space (New Directions, 2018), translated from the Albanian by Ani Gjika, is featured in Page One in the May/June issue of Poets & Writers Magazine.

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Oceanic

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“This brown girl from Chicago also loves the outdoors.” In the book trailer for her fourth poetry collection, Oceanic (Copper Canyon Press, 2018), Aimee Nezhukumatathil describes her motivation for writing and her passion for the natural world. Her illustrated collection of nature essays, World of Wonders, is forthcoming from Milkweed Editions.

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The Ayes Have It

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What are you? Where are you from? / I say, California, / but that’s not what they are looking for...” This Motionpoems film is an adaptation of Tiana Clark’s poem “The Ayes Have It,” directed by Savanah Leaf and narrated by Malina Tirrell. Clark is the author of I Can’t Talk About the Trees Without the Blood (University of Pittsburgh Press, 2018).

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Glenn Close Reads Jenny Xie

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Glenn Close reads “Old Wives’ Tales on Which I Was Fed” from Jenny Xie’s debut collection, Eye Level (Graywolf Press, 2018), which won the Academy of American Poets’ 2017 Walt Whitman Award. Eye Level is featured in Page One in the May/June issue of Poets & Writers Magazine.

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Clemantine Wamariya

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“I wanted to learn how to write English and learn how to tell a story so I could communicate the experiences that I did not see in history books....” Clemantine Wamariya talks about storytelling and her debut memoir, The Girl Who Smiled Beads: A Story of War and What Comes After (Crown, 2018), which she cowrote with Elizabeth Weil.

The Broken Heart of James Agee

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Leslie Jamison reads her essay “The Broken Heart of James Agee” from The Empathy Exams (Graywolf Press, 2014) for a reading series hosted by the Center for Documentary Studies and the Kenan Institute for Ethics at Duke University. Jamison speaks about her new book, The Recovering: Intoxication and Its Aftermath (Little, Brown, 2018), in “The Infinite World” by Michele Filgate in the May/June issue of Poets & Writers Magazine.

Evie Shockley

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“Poetry travels, you don’t need a lot of money to write it, you don’t need a lot of money to print it and distribute it.” Evie Shockley, a finalist for the 2018 Pulitzer Prize in poetry for her third collection, semiautomatic (Wesleyan University Press, 2017), talks with City of Asylum about the accessibility of writing poetry and its long and powerful tradition.

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